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Critic’s Pick

Tales of boyhood and family in this year’s Oscar-nominated live-action short films

Marika Tron
  •  
Feb. 25, 2019

‘A Midsummer Night’s Dream’ delves into the trials of love through fantasy

Shana E. Hadi
  •  
Feb. 22, 2019

‘The Lego Movie 2’ is built on heart

Daniel Wu
  •  
Feb. 20, 2019
Arts & Life

Reading between the lines for love

Arts & Life Reads beat writers, Lily Nilipour, Carly Taylor, Scott Stevens, Mark York, Claire Francis and Shana E. Hadi
  •  
Feb. 14, 2019

Ford and Fonda examine the legend of ‘Young Mr. Lincoln’

Amir Abou-Jaoude
  •  
Feb. 13, 2019

‘If Beale Street Could Talk’ brings Baldwin’s story to the screen

Amir Abou-Jaoude
  •  
Feb. 11, 2019

‘Midnight Cowboy’ critiques American mythology

Amir Abou-Jaoude
  •  
Feb. 8, 2019

Joyce Carol Oates chronicles the fall of an American family in ‘We Were the Mulvaneys’

Scott Stevens
  •  
Feb. 8, 2019
Arts & Life

Sundance 2019, part 3: Best of the Fest

Olivia Popp
  •  
Feb. 7, 2019

‘Alita’ features angelic action

Noah Howard
  •  
Feb. 7, 2019
Arts & Life

Sundance 2019, part 2: U.S. Dramatic Competition

Olivia Popp
  •  
Feb. 6, 2019
Arts & Life

Sundance 2019, part 1: Quirky and boundary-breaking films

Olivia Popp
  •  
Feb. 5, 2019

‘The Breakfast Club’ is an antique analysis of adolescent anguish

Amir Abou-Jaoude
  •  
Feb. 5, 2019

‘Her Body and Other Parties’ gives shape to female stories

Shana E. Hadi
  •  
Feb. 4, 2019

‘Avenue Q’ brings laughs to the Bay Area

Olivia Popp
  •  
Feb. 4, 2019

What movies can do that books cannot

Carly Taylor
  •  
Feb. 1, 2019

A masterful interplay of music and acting in ‘A Little Night Music’

Natalie Francis
  •  
Feb. 1, 2019

‘Nothing to Hide’ proves a secret success

Juan Fueyo-Gomez
  •  
Jan. 29, 2019

SF Sketchfest brings great comedy to the Bay

Olivia Popp
  •  
Jan. 28, 2019

‘My Man Godfrey’ supplies sidesplitting comedy and social commentary

Amir Abou-Jaoude
  •  
Jan. 22, 2019
The Stanford Daily

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