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Film
United Nations Association Film Festival: A look at ‘Guangzhou Dream Factory’
Cathy Wang
•
Oct. 30, 2017
Even Michael Fassbender can’t save ‘The Snowman’ from its cold, lifeless narrative
Noah Howard
•
Oct. 27, 2017
Movies In Conversation: ‘Blade Runner 2049’
Elaine Kim
•
Oct. 26, 2017
The Daily’s Halloween movie picks
Arts & Life Screen Beat writers
•
Oct. 24, 2017
From ‘Cléo’ to ‘Faces Places,’ Agnès Varda is preoccupied with the ordinary life
AnQi Yu
•
Oct. 24, 2017
On the impossibility of separating art from artist
Jacob Kuppermann
•
Oct. 21, 2017
Climate change is here to stay in Jeff Orlowski’s ‘Chasing Ice’
Natalie Sada
•
Oct. 19, 2017
Blumhouse Productions disappoints with ‘Happy Death Day,’ a slapdash bore
Zak Sharif
•
Oct. 18, 2017
Intimate and grandiose: the genius of Vangelis’ ‘Blade Runner’ soundtrack
Hamza Ali Zahurullah
•
Oct. 17, 2017
‘They Live By Night’ uncovers a soft side to a classic criminal couple
Amir Abou-Jaoude
•
Oct. 17, 2017
The geek fan-omenon: Exploring the empowerment and toxicity of fandoms
Olivia Popp
•
Oct. 11, 2017
100 films to watch at Stanford
Carlos Valladares
•
Oct. 11, 2017
“Edvard Munch,” Warner Bros at the Stanford
Carlos Valladares
•
Oct. 5, 2017
Go ‘North by Northwest’ in this 1959 Hitchcock classic
Olivia Popp
•
Oct. 2, 2017
Hard truth: a review of ‘An Evening with Ken Burns’
Elizabeth Gerson
•
Sept. 26, 2017
At the Stanford: Michael Curtiz’ ‘The Breaking Point’ is a more brutally honest ‘Casablanca’
Carlos Valladares
•
Sept. 20, 2017
This weekend at the Stanford: ‘My Fair Lady,’ ‘East of Eden’
Carlos Valladares
•
Sept. 18, 2017
Charlize Theron shines as an ‘Atomic Blonde’ in new action spy thriller
Evie Sun
•
Aug. 9, 2017
French comic movie ‘Valerian’ is another Luc Besson winner
Derian Lance
•
July 28, 2017
‘The Midwife’ is cliché but bien fait
Emily Sun
•
July 28, 2017
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