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Film
Arts & Life
Shorts at Home: ‘We are who we are’
Olivia Popp
•
July 12, 2020
Arts & Life
‘Miss Juneteenth’ enthralls viewers with powerful screenplay and cinematography
Anika Jain
•
July 9, 2020
Arts & Life
Voices of Canceled Stanford Shows: Sarah Mergen ’19 on adapting Shakespeare and directing ‘HAL’
Natalie Francis
•
May 1, 2020
Arts & Life
Leanna Lewis raises awareness of indigenous issues through film
Patricia Wei
•
March 13, 2020
Arts & Life
Makoto Shinkai weaves magical, timely tale of climate change in ‘Weathering with You’
Kaylee Beam
•
March 6, 2020
Arts & Life
Relentless time, romance in ‘The Photograph’
Malia Mendez
•
March 2, 2020
Arts & Life
1917, the Great War and Brexit
Altair Brandon-Salmon
•
Feb. 13, 2020
Arts & Life
The Big Picture: Stories of the Stanford Theatre
Daniel Wu
•
Feb. 9, 2020
Arts & Life
Sundance 2020, part 1: St. Vincent’s ‘The Nowhere Inn’ is fan-service, but who’s complaining?
Julie Fukunaga
•
Feb. 5, 2020
Arts & Life
‘Little Women’ (2019) excels in the eyes of the artiste
Natalie Francis
•
Jan. 21, 2020
Arts & Life
Star Wars Episode IX Review: The Fall of Skywalker
Noah Howard
•
Jan. 8, 2020
Arts & Life
Filmfest Hamburg, part 3: Keira Knightley thriller ‘Official Secrets’
Olivia Popp
•
Nov. 20, 2019
Arts & Life
Filmfest Hamburg, part 2: The joyous ‘Wild Rose’
Olivia Popp
•
Nov. 18, 2019
Arts & Life
‘Last Christmas’ is a disappointing gift
Caroline Keyes
•
Nov. 18, 2019
Arts & Life
Filmfest Hamburg, part 1: ‘Marriage Story’ plays with subjectivity
Olivia Popp
•
Oct. 23, 2019
Arts & Life
‘Ad Astra’ is a stellar adventure
Olivia Popp
•
Oct. 22, 2019
Arts & Life
IQFF, part 3: Standout shorts
Olivia Popp
•
Oct. 21, 2019
Arts & Life
It was all a joke: thoughts on the ending of ‘Joker’
Rathi Anandu
•
Oct. 20, 2019
Arts & Life
IQFF, part 2: Hit or miss films
Olivia Popp
•
Oct. 19, 2019
Arts & Life
IQFF, part 1: The breathtakingly intimate ‘And Then We Danced’
Olivia Popp
•
Oct. 17, 2019
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