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On Campus
World-class pianist Murray Perahia charms Bing
Serena Wong
•
April 19, 2016
Crew profiles: The brains behind Ram’s Head’s ‘Rent’
Bella Wilcox
•
April 10, 2016
NTUE Orchestra closes the distance between East and West at Dink
Serena Wong
•
April 10, 2016
The legacy of ‘Rent’: Performing Larson’s musical on the Farm
Madelaine Bixler
•
April 8, 2016
‘Rent’ takes technical theater to new heights
Madeline MacLeod
•
April 8, 2016
‘Figuration/Abstraction’ features Cantor’s best
Eric Huang
•
April 8, 2016
Theater review: ‘Rent’ reminds us to live for the moment
Madelaine Bixler
•
April 7, 2016
Real People Music dazzles at Sprung
Tyler Dunston
•
April 4, 2016
Your weekend plans: The White Panda at Sprung
Serena Wong
•
April 2, 2016
Ready for Fetty: A preview of this year’s Frost headliner, Fetty Wap
Benjamin Sorensen
•
March 28, 2016
En route to Monterey, Stanford’s jazz’s next generation stops at CoHo
Benjamin Sorensen
•
March 24, 2016
Theater review: “Oh, What a Lovely War!” delivers an academically-envisioned but slapdash performance
Olivia Witting
•
March 9, 2016
Theater review: ‘Candide’ brilliantly inverts the Stanford success narrative
Madelaine Bixler
•
March 7, 2016
‘Showing Off’: Exploring East Asian threads
Eric Huang
•
March 3, 2016
Jazz night at CoHo puts spotlight on student combos
Benjamin Sorensen
•
March 2, 2016
Theater review: Outdated ‘Trouble in Tahiti’ fails to inspire
Madelaine Bixler
•
Feb. 26, 2016
Theater review: ‘The Telling Project’ adds much-needed nuance to the veteran narrative
Madelaine Bixler
•
Feb. 25, 2016
Theater review: ‘Antony & Cleopatra’ is a knockout StanShakes performance
Madeline MacLeod
•
Feb. 25, 2016
Black Love: An audience in action
Joshua Seawell
•
Feb. 22, 2016
Theater review: ‘The Vagina Monologues’ stands united and strong
Olivia Witting
•
Feb. 19, 2016
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