Wednesday, March 18th, 2026
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Arts & Life

Culture
Stanford Fashion X's third show held at Memorial Church

FashionX Runway transports audience from past to future

Joyce Chen
  •  
Feb. 24, 2025
Culture
Photo of Moonrise by the Sea painting by Caspar David Friedrich

What Caspar David Friedrich can teach us about waiting

Weili Jin
  •  
Feb. 24, 2025
Reads
Ellen Bryant Voigt speaks in front of a crowd during her Lane Lecture Series poetry reading (RAYLENE ZAMORA/THE STANFORD DAILY).

Ellen Bryant Voigt discusses poetry, craft and teaching at Lane Lecture Series

Raylene Zamora
  •  
Feb. 23, 2025
Culture
Graphic for Chetanya Pandey's '27 column, exploring how making small food choices can save the planet — and your taste buds.

Edible Ethos: Making your next meal sustainable

Chetanya Pandey
  •  
Feb. 23, 2025
Screen
A strip of film with reverse signs printed on it

Second Take: ‘The Winter Soldier’ tackles American democracy and security

Sebastian Strawser
  •  
Feb. 20, 2025
Screen
Sterling K. Brown smiling at a VidCon panel

‘Paradise’ is a world stranger than reality

Blyss Cleveland
  •  
Feb. 20, 2025
Music
In his first column installment, Rishi Jeyamurthy ’28 breaks down the complexities of record contracts. ((Graphic: DA-HEE KIM/The Stanford Daily)

Mainstream & Margins: A conversational guide to record deals

Rishi Jeyamurthy
  •  
Feb. 19, 2025
Culture
Graphic of Chuer Yang's '27 column exploring internet rabbit holes.

Traveler, Your (Digital) Footprints: Meeting dr. T and Antonio Machado

Chuer Yang
  •  
Feb. 19, 2025
Music
Picture of lights that spell "Live Music" with a downwards arrow. The "Live" is blue and the "Music" is red.

Farm fresh jazz (notes from a saxophonist): Kairos recap & SJO preview

Penelope Keep
  •  
Feb. 18, 2025
Screen
In his column “How About Now,” Mason Barrett ’28 reviews classic films through a modern lens.

‘It’s a Wonderful Life’ (1946) is an exceptional story with a complex protagonist

Mason Barrett
  •  
Feb. 17, 2025
Culture
Graphic for Ellaheh Gohari's '28 column on tropes in film and media.

Trope-Tastic: Embrace the villainous virtuoso

Ellaheh Gohari
  •  
Feb. 16, 2025
Culture
Graphic of a Stanford tree working on a laptop.

Chronically Online: How the Class of 2029 uses social media to connect

Chloe Shannon Wong
  •  
Feb. 13, 2025
Music
A Renaissance-esque photo of women sitting.

Love, situationships and everything in between: Songs for Valentine’s Day

Madisyn Cunningham, Joanne dePierre, Ellaheh Gohari, Garrett Khatchaturian, Blyss Cleveland, Ananya Navale and Cate Burtner
  •  
Feb. 13, 2025
Culture
Portrait of Lalita du Perron

‘South Asian Studies at Stanford Podcast’: Sharing the other sides of the story

Catherine Wu
  •  
Feb. 12, 2025
Reads
An open book with "rage on the page" written inside

Rage on the Page: ‘Bunny’ by Mona Awad, a darkly hilarious descent into madness

Melisa Ezgi Guleryuz
  •  
Feb. 12, 2025
Music
Kendrick Lamar returns to the Super Bowl spotlight to deliver an impactful message to American audiences and the world. (Photo courtesy of U2soul)

Kendrick Lamar’s halftime show: A revolution televised

Joanne dePierre
  •  
Feb. 11, 2025
Culture
Photo of students rehearsing for Jessica Korobkin's ’27 musical “Fading In.”

Original musical ‘Fading In’ by Jessica Korobkin ’27 opens conversation around eating disorders

Audrey Chang
  •  
Feb. 11, 2025
Screen
Boy holding camera with lady and leopard on lens

‘Bringing Up Baby’ (1938) is a rom-com gem

Mason Barrett
  •  
Feb. 11, 2025
Music
Hip hop artist Doechii stands against a green backdrop holding an albino alligator.

Frost Fest 2025 headliner revealed: Doechii takes center stage

Joanne dePierre
  •  
Feb. 11, 2025
Reads
An open-page spread of "Creatures of the Deep: a Pop-Up book" by Ernst Haeckel and Maike Bierderstadt in front of other pop-up books from side view

‘Panoply of Pop-Ups’ exhibition unfolds at the Bowes Art and Architecture Library

Kayla Chan
  •  
Feb. 10, 2025
The Stanford Daily

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