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Reviews
Nick Thune brings slow comedy to Bing Studio
Olivia Popp
•
Oct. 1, 2018
A treasure trove of silver screen riches
Olivia Popp
•
Sept. 28, 2018
‘The Alchemist’ is shallow, but inspirational
Shana E. Hadi
•
Sept. 27, 2018
A fine specimen of natural history
Olivia Popp
•
Sept. 27, 2018
‘Science Fair’ doesn’t experiment enough
Amir Abou-Jaoude
•
Sept. 26, 2018
KING TUT and Space Shuttle Endeavour shine at the California Science Center
Olivia Popp
•
Sept. 26, 2018
It’s not the Space Force but it’s ‘Trump in Space’
Olivia Popp
•
Sept. 24, 2018
Mitski doesn’t need much time to devastate you
Jacob Kuppermann
•
Sept. 23, 2018
Exploring the trials of history at the Autry Museum of the American West
Olivia Popp
•
Sept. 20, 2018
The Groundlings’ ‘Cooking With Gas’ is a fresh take on LA comedy
Olivia Popp
•
Sept. 20, 2018
LACMA’s current exhibitions provide a diversity of holistically curated work
Olivia Popp
•
Aug. 23, 2018
Olivia Popp’s summer theatrical flick picks
Olivia Popp
•
Aug. 14, 2018
Book review: ‘All the Ever-Afters’
Vidhima Shetty
•
Aug. 14, 2018
Review: Anderson Collection screens ‘Eva Hesse’
Amy Lin
•
Aug. 5, 2018
The Museum of Tolerance offers visitors a transformative historical journey
Olivia Popp
•
Aug. 3, 2018
On Easy Street with the Hollywood Bowl production of ‘Annie’
Olivia Popp
•
Aug. 2, 2018
‘Hecuba/Helen’ is mesmerizing but lacking impact
Minh-Anh Day
•
July 30, 2018
‘Three Days in the Country’: Love in the time of 19th century Russian class differences
Olivia Popp
•
July 30, 2018
‘Mutt House’ needs to be immediately placed into a doggy bag and dumped into a trash compactor
Olivia Popp
•
July 27, 2018
‘Mamma Mia 2!’ is a sparkly, escapist sensation for the summer
Valerie Wu
•
July 26, 2018
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