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Reviews
Review: Anderson Collection screens ‘Eva Hesse’
Amy Lin
•
Aug. 5, 2018
The Museum of Tolerance offers visitors a transformative historical journey
Olivia Popp
•
Aug. 3, 2018
On Easy Street with the Hollywood Bowl production of ‘Annie’
Olivia Popp
•
Aug. 2, 2018
‘Hecuba/Helen’ is mesmerizing but lacking impact
Minh-Anh Day
•
July 30, 2018
‘Three Days in the Country’: Love in the time of 19th century Russian class differences
Olivia Popp
•
July 30, 2018
‘Mutt House’ needs to be immediately placed into a doggy bag and dumped into a trash compactor
Olivia Popp
•
July 27, 2018
‘Mamma Mia 2!’ is a sparkly, escapist sensation for the summer
Valerie Wu
•
July 26, 2018
Kicking off Shark Week with ‘Jaws’ and the Hollywood Bowl Orchestra
Olivia Popp
•
July 25, 2018
You’ll start to believe in real magic with Arthur Trace: The Artful Deceiver
Olivia Popp
•
July 24, 2018
The Petersen Automotive Museum will fuel your love for vehicles and fashionable technology
Olivia Popp
•
July 20, 2018
Long Beach’s Aquarium of the Pacific offers marine fun for all ages
Olivia Popp
•
July 20, 2018
‘Straight White Men’ delivers humor, discomfort and surprising compassion
Starr Jiang
•
July 20, 2018
SF Playhouse’s ‘In Braunau’ is frighteningly underdeveloped
Alli Cruz
•
July 18, 2018
Book Review: “Dying for a Paycheck”
Sarah Feng
•
July 17, 2018
‘Won’t You Be My Neighbor?’ revives good old-fashioned love and wholesomeness
Olivia Popp
•
July 11, 2018
‘LIYANA’ fuses youthful fantasy and stark reality
Jasmine Venet
•
July 6, 2018
Top three movies to see at Stanford Theater this summer
Regina Ta
•
July 3, 2018
Exploring Ben and Jerry’s ice cream
Blake Sharp
•
July 2, 2018
‘Two Mile Hollow’ is a delightfully vicious reversal of classically white theater
Caro Asercion
•
July 1, 2018
[final cf] Austrian filmmaker Nikolaus Geyrhalter creates engaging, experimental documentaries
Maxwell Menzies
•
June 29, 2018
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