Sunday, November 17th, 2024

Reviews

Kicking off Shark Week with ‘Jaws’ and the Hollywood Bowl Orchestra

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July 25, 2018

You’ll start to believe in real magic with Arthur Trace: The Artful Deceiver

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July 24, 2018

The Petersen Automotive Museum will fuel your love for vehicles and fashionable technology

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July 20, 2018

Long Beach’s Aquarium of the Pacific offers marine fun for all ages

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July 20, 2018

‘Straight White Men’ delivers humor, discomfort and surprising compassion

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July 20, 2018

SF Playhouse’s ‘In Braunau’ is frighteningly underdeveloped

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July 18, 2018

Book Review: “Dying for a Paycheck”

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July 17, 2018

‘Won’t You Be My Neighbor?’ revives good old-fashioned love and wholesomeness

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July 11, 2018

‘LIYANA’ fuses youthful fantasy and stark reality

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July 6, 2018

Top three movies to see at Stanford Theater this summer

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July 3, 2018

Exploring Ben and Jerry’s ice cream

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July 2, 2018

‘Two Mile Hollow’ is a delightfully vicious reversal of classically white theater

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July 1, 2018

[final cf] Austrian filmmaker Nikolaus Geyrhalter creates engaging, experimental documentaries

Maxwell Menzies

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June 29, 2018

‘Soft Power’ is a bold challenge to a genre riddled with convention

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June 28, 2018

William Blake and Yayoi Kusama: Endless Myth

Hannah Knowles and Emma Heath

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June 18, 2018

Stanley Donen’s ‘Charade’ provides old-fashioned fun

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June 14, 2018

Chloe Zhao’s ‘The Rider’ is riveting

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June 9, 2018

Tony Award-winning ‘Jersey Boys’ brings toe-tapping nostalgia to the Bay Area

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June 8, 2018

‘Solo’ will satisfy Star Wars fans

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June 8, 2018

A BottleRockin’ hit: A convergence of music, food and art

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June 7, 2018