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Second Take: ‘Milk’ highlights gay hope and humanity
Sebastian Strawser
•
March 6
Screen
‘Arcane’ season 2: A new era of adult animation
Sara Alanis Morales
•
March 3
Screen
‘Rear Window’ exemplifies a brilliantly crafted thriller
Mason Barrett
•
March 3
Screen
Second Take: ‘The Winter Soldier’ tackles American democracy and security
Sebastian Strawser
•
Feb. 20
Screen
‘Paradise’ is a world stranger than reality
Blyss Cleveland
•
Feb. 20
Screen
‘It’s a Wonderful Life’ (1946) is an exceptional story with a complex protagonist
Mason Barrett
•
Feb. 17
Screen
‘Bringing Up Baby’ (1938) is a rom-com gem
Mason Barrett
•
Feb. 11
Screen
Her POV: ‘The Last Showgirl’ is a moving glimpse of an artist’s journey
Blyss Cleveland
•
Feb. 2
Screen
Best of 2024 ranked: Five movies that made me feel things
Dyllan Han
•
Jan. 30
Screen
‘Nosferatu’ (2024) marries the beautiful and the grotesque
Cate Burtner
•
Jan. 28
Screen
‘Dune: Prophecy’ Season 1 is a bold, but uneven journey into the origins of the Bene Gesserit
Zora Hudson
•
Jan. 27
Screen
Rage on the Page: The howl of ‘Nightbitch’ the film barely echoes the novel
Melisa Ezgi Guleryuz
•
Jan. 23
Screen
‘The Texas Chainsaw Massacre’ (1974) is a cleverly-written horror classic
Mason Barrett
•
Jan. 21
Screen
Her POV: ‘Babygirl’ is all tension with no release
Blyss Cleveland
•
Jan. 20
Screen
‘Superman’ teaser radiates hope and justice for a brighter tomorrow
Sebastian Strawser
•
Jan. 16
Screen
‘Wicked’: Defying expectations, from musical to movie
Charlotte Burks
•
Jan. 15
Screen
Her POV: ‘Madeline’s Madeline’ artfully breaks down the parent-child bond
Blyss Cleveland
•
Jan. 12
Screen
How About Now: ‘A Fistful of Dollars’ (1964) is convoluted yet thrilling
Mason Barrett
•
Jan. 6
Screen
‘Moana 2’ drowns in money and fails to make waves
Anthony Martinez Rosales
•
Dec. 11
Screen
Students paint a chilling narrative of EVGR in horror film
Eric Wang
•
Dec. 1
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