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20/20 Vision: How racism undermines the technical achievement of ‘The Jazz Singer’ (1927)
Anthony Martinez Rosales
•
April 27, 2023
Screen
‘Rye Lane’ looks at love from both sides
Blyss Cleveland
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April 25, 2023
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‘Squid Game’ actor Byung Hun Lee talks about the future of Korean pop culture
Hana Dao
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April 23, 2023
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The One: ‘Breakfast at Tiffany’s’ is a problematic classic
Lauren Koong
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April 20, 2023
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20/20 Vision: Short and sweet storytelling in ‘Sherlock Jr.’ (1924)
Anthony Martinez Rosales
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April 18, 2023
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HBO’s ‘The Last Of Us’: Finally breaking the video game to live-action curse?
Shayna Freedman
•
April 6, 2023
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How Stanford women, fictional and real, transform the university’s image in films
Aarushi Dedhiya
•
April 5, 2023
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How the first moving picture originated from a Stanford controversy
Alexandra Blum
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April 3, 2023
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‘The Watchful Eye’ lead Mariel Molino talks character differences, career and working with Kelly Bishop
Ellen Abraham
•
March 25, 2023
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The Adaptations: ‘The Secret Life of Walter Mitty’
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March 16, 2023
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The One: ‘How to Lose a Guy in 10 Days’ has not lost our attention
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March 15, 2023
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Cocaine bear, fighter jets and wiener fingers: A rundown of the 95th Oscars
Lauren Boles
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March 15, 2023
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Interactive graphic novel ‘Florence’ is the perfect heartbreak for $2.99
Kyla Figueroa
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March 14, 2023
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When will the Oscars acknowledge horror films?
Shayna Freedman
•
March 9, 2023
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Oscars crash course: Lightning reviews of all ten Best Picture nominees
Sam Waddoups
•
March 9, 2023
Screen
Wonder what happens when you give a bear cocaine? Me too.
Kirsten Mettler
•
March 9, 2023
Screen
20/20 Vision: How the 100-year-old film ‘Dr. Jekyll and Mr. Hyde’ gave me the jitters
Anthony Martinez Rosales
•
March 8, 2023
Screen
Death, Swamps and Eggs: Discussing performance-based video ‘Mourning Rituals’ at the Cantor
Lauren Boles
•
March 5, 2023
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M. Night Shyamalan’s latest twist? Making bad movies
Kirsten Mettler
•
March 1, 2023
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What is a comeback? Avi Gupta ’23 pulls off thrilling ‘Jeopardy!’ win
Sam Waddoups
•
Feb. 22, 2023
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