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Screen
Ghib it a Try: Memories and redemption in “When Marnie was There”
Emma Kexin Wang
•
March 31, 2024
Screen
‘Good’ Girlhood: ‘Drylongso’ views Black boys through a Black girl’s lens
Blyss Cleveland
•
March 13, 2024
Screen
Delicate Sensibilities: ‘Bodies Bodies Bodies’ is remarkably Gen-Z fluent
Julia Donlon
•
March 13, 2024
Screen
Cal smashes Stanford in second annual Smash Bros. crew battle
Mark Allen Cu
•
March 10, 2024
Screen
‘Last Week Tonight’ motions to dismiss Supreme Court credibility
Sebastian Strawser
•
March 8, 2024
Screen
‘Good’ Girlhood: ‘All Dirt Roads Taste of Salt’ is an evocative Black family portrait
Blyss Cleveland
•
Feb. 25, 2024
Screen
Talk Horror to Me: Monstrous motherhood in ‘Huesera: The Bone Woman’
Emma Kexin Wang
•
Feb. 22, 2024
Screen
Movie musical renaissance or regression?
Charlotte Burks
•
Feb. 22, 2024
Screen
Lights, Cardinals, Action: ’13 Going on 30′ writer dives into upcoming musical adaptation
Grace Zhou
•
Feb. 22, 2024
Screen
New beginnings in ‘Abbott Elementary’ season three premiere
Emma Kexin Wang
•
Feb. 19, 2024
Screen
Delicate Sensibilities: Saltburn is disgracefully fun
Julia Donlon
•
Feb. 19, 2024
Screen
Stanford’s ‘Smash Bros’ find community in combat
Mark Allen Cu
•
Feb. 19, 2024
Screen
‘Good’ girlhood: ‘Girlhood’ balances tenderness and violence
Blyss Cleveland
•
Feb. 16, 2024
Screen
A Lover Girl’s Guide: When opposites meet
Hana Dao
•
Feb. 13, 2024
Screen
Lights, Cardinals, Action: Lionsgate VP Charlotte Koh ’95 on overcoming fear
Grace Zhou
•
Feb. 12, 2024
Screen
Talk Horror to Me: Documenting trauma in ‘Nope’ (2022)
Emma Kexin Wang
•
Feb. 12, 2024
Screen
A Lover Girl’s Guide: Historically Speaking
Hana Dao
•
Feb. 5, 2024
Screen
Why does Stanford restrict entertainment filming on campus?
Sarayu Pai
•
Feb. 2, 2024
Screen
The new ‘Mean Girls’ falls flat, but not without something ‘fetch’ for Gen Z
Katie Mannion
and
Annie Virsik
•
Jan. 31, 2024
Screen
Sean Penn reveals Ukraine’s ‘Superpower’ and calls for military aid
Rani Chor
•
Jan. 24, 2024
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