Tuesday, November 5th, 2024

Spotlight

This weekend at the Stanford: ‘My Fair Lady,’ ‘East of Eden’

Carlos Valladares

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Sept. 18, 2017

Colliding indoors: Ai Weiwei’s ‘Hansel & Gretel’ at NYC’s Park Avenue Armory

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Aug. 28, 2017

Opening doors for arts careers: Stanford’s Summer Internship Program in Arts Administration

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Aug. 27, 2017

OSF pt. 2: ‘Disney’s Beauty and the Beast’ is an enchanting classic

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Aug. 14, 2017

OSF pt. 1: Shaking up Shakespeare with ‘Henry IV, Part 1’ and ‘Julius Caesar’

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Aug. 10, 2017

‘The Good Place’ brings representation and genius-level comedy to the small screen

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Aug. 4, 2017

More than just flowers: Georgia O’Keeffe at the Art Gallery of Ontario

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July 30, 2017

Season five of ‘Orange is the New Black’ is a messy yet beautiful riot

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July 27, 2017

Issa Rae’s acclaimed series ‘Insecure’ is back for season two, and it’s ‘hella great’

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July 21, 2017

Pop thrills: Edgar Wright’s ‘Baby Driver’ is a smart, sexy musical for the age of Spotify

Carlos Valladares

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June 28, 2017

Matt Walsh dishes on improv, the uncanny satire of ‘Veep’ and running into Lou Reed

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June 9, 2017

Revisiting Joey Bada$$’s ‘All Amerikkkan Bada$$’

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June 7, 2017

Stanford Theater Lab’s ‘Gnit’ balances comedy and cruelty

Alessandro R.L. Hall

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June 6, 2017

Living while funny: an appreciation of Tina Fey and Amy Poehler

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June 4, 2017

An American bard in Britain: Bob Dylan in concert

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June 3, 2017

‘Purple Cloud’ shines as it explores the struggles of mixed-race identity and experience

Elizabeth Gerson

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June 2, 2017

‘Wakefield’ could be more woke

Amir Abou-Jaoude

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June 1, 2017

Josh Brener of ‘Silicon Valley’ talks comedy writing and the ‘Rude Boys on the Lot’

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May 30, 2017

Q&A: Daveed Diggs muses on fame, the accessibility of theater

Olivia Popp and Carlos Valladares

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May 26, 2017

An evening with Daveed Diggs at Dinkelspiel

Carlos Valladares

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May 25, 2017