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Spotlight

Who said classical music was boring? Pt. 2

Maimi Higuchi
  •  
May 23, 2017

A tale of two sisters: ‘You for Me for You’ questions truth and reality in North Korea

Olivia Popp
  •  
May 19, 2017

BLACKstage’s ‘Ragtime’ reverberates with hope and strife

Alli Cruz
  •  
May 14, 2017

Through our darkest times, ‘The Laramie Project’ offers healing and hope

Alessandro R.L. Hall
  •  
May 11, 2017

The next thousand miles: Vanessa Carlton in concert

Jourdann Fraser
  •  
May 9, 2017

2017 winter music recap and spring preview: albums you missed and ones to look out for

Jacob Kuppermann
  •  
May 8, 2017

Linda Uyechi and Steve Sano discuss Taiko at Stanford and around the world

Maimi Higuchi
  •  
May 7, 2017

Master director Terence Davies talks Emily Dickinson, Brando, and growing up on movies

Carlos Valladares
  •  
May 5, 2017

Interview: Linda Uyechi and Steve Sano on North American taiko

Maimi Higuchi
  •  
May 3, 2017

Let’s talk about violence: ‘The Wild Party’ and the performance of survivor solidarity

Madelaine Bixler
  •  
April 27, 2017

At the de Young: Danny Lyon’s ‘Message to the Future’ and ‘The Summer of Love’

Carlos Valladares
  •  
April 26, 2017

The five stages of writing a song: An artist’s perspective

Trenton Chang
  •  
April 24, 2017

Chairlift in concert: Or, when a band ends

Jacob Kuppermann
  •  
April 20, 2017

The Chainsmokers are the boring sort of bad

Jacob Kuppermann
  •  
April 13, 2017

The growth of Asian American representation through streaming TV

Olivia Popp
  •  
April 9, 2017

Alexander Nemerov: Stanford’s art history preacher

Carlos Valladares
  •  
April 7, 2017

The sound of anime: Connecting feelings with music

Trenton Chang
  •  
April 6, 2017

‘The Boss Baby’ director and producer on life, laughs and a love for animation

Olivia Popp
  •  
March 28, 2017

Danny Boyle talks with The Daily on ‘T2 Trainspotting’

Rey Barceló
  •  
March 26, 2017

Future, Young Thug and Lil B: In praise of prolific artists

Jacob Kuppermann
  •  
March 14, 2017
The Stanford Daily

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