Sunday, November 17th, 2024

Theater

Marin Theatre Company’s ‘Oslo’ gives us a piece of narrated history

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Oct. 18, 2018

New York Minute: Exploring love, memory and loss in ‘The Things That Were There’

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Oct. 17, 2018

New York Minute: CRASH Theater Co.’s ‘TaRaRaBOOM’ explodes with absurdity and modernity

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Oct. 12, 2018

‘On Your Feet!’ contains romping celebration of Cuban and Latinx artistry

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Oct. 11, 2018

‘Dystopian Dream’ is an aggressively digestible dance piece

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Oct. 9, 2018

ACT’s ‘Sweat’ is a masterclass in contemporary American theater

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Oct. 5, 2018

‘Arturo Ui’ provides an eerie reflection of today’s administration

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Oct. 4, 2018

Nick Thune brings slow comedy to Bing Studio

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Oct. 1, 2018

It’s not the Space Force but it’s ‘Trump in Space’

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Sept. 24, 2018

The Groundlings’ ‘Cooking With Gas’ is a fresh take on LA comedy

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Sept. 20, 2018

On Easy Street with the Hollywood Bowl production of ‘Annie’

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Aug. 2, 2018

‘Hecuba/Helen’ is mesmerizing but lacking impact

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July 30, 2018

‘Three Days in the Country’: Love in the time of 19th century Russian class differences

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July 30, 2018

‘Mutt House’ needs to be immediately placed into a doggy bag and dumped into a trash compactor

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July 27, 2018

‘Straight White Men’ delivers humor, discomfort and surprising compassion

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July 20, 2018

Magic Monday LA brings a fresh form of entertainment to center stage

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July 20, 2018

Cupcake Theater’s ‘Spring Awakening’ finds its footing in a strong vocal cast

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July 18, 2018

SF Playhouse’s ‘In Braunau’ is frighteningly underdeveloped

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July 18, 2018

Ghosts of CHAN

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July 3, 2018

‘Two Mile Hollow’ is a delightfully vicious reversal of classically white theater

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July 1, 2018