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Theater
The legacy of ‘Rent’: Performing Larson’s musical on the Farm
Madelaine Bixler
•
April 8, 2016
‘Rent’ takes technical theater to new heights
Madeline MacLeod
•
April 8, 2016
Theater review: ‘Rent’ reminds us to live for the moment
Madelaine Bixler
•
April 7, 2016
Theater review: SHN’s ‘Dirty Dancing’ reinvigorates the 30-year-old film
Madeline MacLeod
•
March 31, 2016
Let them ‘Play On!’
Bella Wilcox
•
March 27, 2016
Theater review: “Oh, What a Lovely War!” delivers an academically-envisioned but slapdash performance
Olivia Witting
•
March 9, 2016
Theater review: ‘Candide’ brilliantly inverts the Stanford success narrative
Madelaine Bixler
•
March 7, 2016
Theater review: Outdated ‘Trouble in Tahiti’ fails to inspire
Madelaine Bixler
•
Feb. 26, 2016
Theater review: ‘The Telling Project’ adds much-needed nuance to the veteran narrative
Madelaine Bixler
•
Feb. 25, 2016
Theater review: ‘Antony & Cleopatra’ is a knockout StanShakes performance
Madeline MacLeod
•
Feb. 25, 2016
Theater review: ‘The Vagina Monologues’ stands united and strong
Olivia Witting
•
Feb. 19, 2016
Theater review: ‘White Power: A Comedy’ hits home
Madelaine Bixler
•
Feb. 18, 2016
Theater review: Brilliant ‘The Duel’ adds drama to mathematics
Olivia Witting
•
Feb. 16, 2016
‘The Vagina Monologues’
Olivia Witting
•
Feb. 16, 2016
Theater review: ‘The House on Mango Street’ explores the Chicano experience
Madeline MacLeod
•
Feb. 12, 2016
AATP presents polished ‘Into the Woods’
Olivia Witting
•
Jan. 27, 2016
Stanford Theater Lab presents provocative interpretation of ‘Macbeth’
Grace Yoo
•
Jan. 27, 2016
Inside AATP’s upcoming production of ‘Into the Woods’
Grace Yoo
•
Jan. 21, 2016
‘Original Winter One Acts’ excels with three disparate, but connected, stories
Madeline MacLeod
•
Jan. 15, 2016
Merritt Baer: From Stanford student to Broadway producer and CEO
Bella Wilcox
•
Jan. 15, 2016
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