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Film
Recs from the Vault: “In This Our Life,” “Meet Me in St. Louis,” “McCabe & Mrs. Miller”
Carlos Valladares
•
April 26, 2018
The magic trick behind Disney’s adaptations
Mark York
•
April 15, 2018
Recs from the Vault: ‘Tommy,’ ‘The Verdict,’ ‘Canoa,’ ‘The Bride Wore Black,’ ‘Pretty Poison’
Carlos Valladares
•
April 12, 2018
Cédric Klapisch’s ‘Back to Burgundy’ is a nebulous mess
Amir Abou-Jaoude
•
April 5, 2018
Recs from the Vault: swampy sounds, Eugene O’Neill and wild Wilder
Carlos Valladares
•
April 5, 2018
From wolves to dogs to Wes: the strange cuteness of ‘Isle of Dogs’
Carlos Valladares
•
April 4, 2018
Arts & Life
‘Orphan Black’ star Tatiana Maslany talks generosity, collaboration and loving the weird
Olivia Popp
•
March 16, 2018
At the Stanford Theatre: In ‘A Farewell to Arms,’ Frank Borzage finds love in war
Carlos Valladares
•
March 12, 2018
‘A Wrinkle in Time’ is Disney’s dizzying failed attempt at creating a trippy sci-fi/fantasy dream
Olivia Popp
•
March 9, 2018
‘Loveless’ is an unblinking examination of a world lost without love
Elaine Kim
•
March 7, 2018
Phantasmagoria may be the saving grace of ‘Annihilation’
Noah Howard
•
March 5, 2018
Past Oscar Best Picture winners worth a rewatch
Amir Abou-Jaoude
•
March 5, 2018
The Daily’s Oscar Predictions 2018
Arts & Life Screen Beat writers
•
March 2, 2018
‘The Post’ is not ordinary Oscar bait
Jacob Nierenberg
•
Feb. 23, 2018
DeMille’s ‘Cleopatra’ is a riveting exercise in camp
Amir Abou-Jaoude
•
Feb. 21, 2018
Marvel gets a blast of Afrofuturism with the thrilling ‘Black Panther’
Jacob Nierenberg
•
Feb. 20, 2018
‘Black Panther’ steps up Marvel’s game
Noah Howard
•
Feb. 20, 2018
In 2018, celebrity heroes are dead
Zak Sharif
•
Feb. 14, 2018
An evening with Sterling K. Brown and Ryan Michelle Bathe: alumni, actors and artists
Olivia Popp
•
Feb. 13, 2018
Sundance 2018, part 6: Olivia Popp’s favorite (and award-winning) films
Olivia Popp
•
Feb. 9, 2018
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