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animation
Screen
The State of Animation: ‘Puss in Boots: The Last Wish’ is nearly purrfect
Kristofer Nino
  •  
Jan. 18
Screen
The State of Animation: Why do animated shows always have holiday specials?
Kristofer Nino
  •  
Dec. 7
Arts & Life
Revisiting ‘The Last Airbender’ (2010)
Kelly Yang
and
Sania Choudhary
  •  
Aug. 27, 2020
Arts & Life
The bizarre journey into ‘Neon Genesis Evangelion’
Noah Howard
  •  
Oct. 15, 2019
The Grind
The most magical night of winter quarter
Sarayu Pai
  •  
Feb. 25, 2019
Disney character designer Glen Keane talks experience as an Oscar-winning animator and director
Clara Kieschnick
  •  
Feb. 25, 2019
‘The Lego Movie 2’ is built on heart
Daniel Wu
  •  
Feb. 20, 2019
Into the Adaptationverse – ‘Spiderverse’ proves that adaptations are necessary
Mark York
  •  
Feb. 19, 2019
‘Crazy Rich Asians’ screenwriter, VR leaders unite at second annual Confluence Summit
Olivia Popp
  •  
Nov. 9, 2018
Classy Classes: MUSIC 25 offers new approaches to anime
Emily Wan
  •  
Oct. 30, 2018
‘Ready, fire, aim’: A talk with Disney producer Don Hahn
Olivia Popp
  •  
Feb. 1, 2018
‘Loving Vincent’: a portrait of the artist as an old man
  •  
Nov. 19, 2017
‘My Entire High School Sinking Into the Sea’ is a beautiful mess
Allen Wu
  •  
April 27, 2017
‘The Boss Baby’ director and producer on life, laughs and a love for animation
Olivia Popp
  •  
March 28, 2017
‘The Boss Baby’ makes a mess in the theater
Olivia Popp
  •  
March 25, 2017
Pixar comes to Stanford to share animators’ tales
Tiffany Lam
  •  
Feb. 11, 2014
Arts & Life
Review: ‘Puss in Boots’
Cindy Ni
  •  
Nov. 4, 2011
Arts & Life
Remote Nomad: ‘Gregory’ borrows too much from the Griffins
Aaron Broder
  •  
Oct. 28, 2011
The Stanford Daily
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