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drama
Magazine
Beyond STEM: The future of arts education and opportunities at Stanford
Sebastian Hochman
  •  
May 28
The Grind
An invitation to reconsider: The role of the actor
Yonatan Laderman
  •  
Jan. 30
Arts & Life
‘Sherlock,’ ‘Dragonball Z’ and a bad case of power escalation
Mark York
  •  
Dec. 3, 2019
Arts & Life
Sundance 2019, part 1: Quirky and boundary-breaking films
Olivia Popp
  •  
Feb. 5, 2019
Classy Classes: MUSIC 25 offers new approaches to anime
Emily Wan
  •  
Oct. 30, 2018
Olivia Popp’s summer theatrical flick picks
Olivia Popp
  •  
Aug. 14, 2018
Let’s start at the very beginning
Amir Abou-Jaoude
  •  
Aug. 2, 2018
Kicking off Shark Week with ‘Jaws’ and the Hollywood Bowl Orchestra
Olivia Popp
  •  
July 25, 2018
Sterling K. Brown urges graduates to ‘shine’ by pursuing their calling
Hannah Knowles
  •  
June 17, 2018
On this day in Stanford history: May 31
Brian Contreras
  •  
May 31, 2018
Sundance 2018, part 6: Olivia Popp’s favorite (and award-winning) films
Olivia Popp
  •  
Feb. 9, 2018
The 1939 ‘Rebecca’ is the perfect Hitchcock crash course
Amir Abou-Jaoude
  •  
Nov. 30, 2017
Winter is here, but has ‘Game of Thrones’ gone cold?
Isaac Vaught
  •  
Oct. 22, 2017
OSF pt. 3: Jiehae Park’s masterful ‘Hannah and the Dread Gazebo’ tackles a multifaceted Korean American experience
Olivia Popp
  •  
Sept. 25, 2017
Season five of ‘Orange is the New Black’ is a messy yet beautiful riot
Olivia Popp
  •  
July 27, 2017
42nd Street Moon’s ‘New Girl in Town’ reinvigorates an old musical with a fresh take
Olivia Popp
  •  
April 11, 2017
The Season 3 finale of ‘How to Get Away with Murder’ makes a fatally poor choice
Olivia Popp
  •  
April 7, 2017
TAPS’s ‘The Tempest’ conjures a storm of originality and wit
Alli Cruz
  •  
March 3, 2017
“Difret” spotlights feminist issues in Ethiopia
Gillie Collins
  •  
Oct. 6, 2014
Arts & Life
‘The Crucible’ showcases Stanford acting, design talent
Gabrielle John
  •  
March 7, 2013
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