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film
Arts & Life
Movies in Conversation: ‘The Last Jedi’
Elaine Kim
and
Isaac Vaught
•
Jan. 25, 2018
Bridging tech and entertainment at Winston Baker’s Confluence Summit
Olivia Popp
•
Nov. 27, 2017
Ai Weiwei brings humanity to the refugee crisis in ‘Human Flow’
Mac Taylor
•
Nov. 2, 2017
United Nations Association Film Festival: A look at ‘Guangzhou Dream Factory’
Cathy Wang
•
Oct. 30, 2017
Andrew Bird lights up Bing with graceful melodies guaranteed to warm your soul
Olivia Popp
•
Oct. 25, 2017
From ‘Cléo’ to ‘Faces Places,’ Agnès Varda is preoccupied with the ordinary life
AnQi Yu
•
Oct. 24, 2017
Climate change is here to stay in Jeff Orlowski’s ‘Chasing Ice’
Natalie Sada
•
Oct. 19, 2017
‘They Live By Night’ uncovers a soft side to a classic criminal couple
Amir Abou-Jaoude
•
Oct. 17, 2017
Professor Emeritus Ronald Alexander dies at 94
Hannah Knowles
•
May 25, 2017
Classy Classes: COMPLIT 102 showcases Turkish cinema
Nic Fort
•
May 9, 2017
‘Silence! The Musical’ brings raucous fun to San Francisco
Olivia Popp
•
April 11, 2017
‘The Boss Baby’ director and producer on life, laughs and a love for animation
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•
March 28, 2017
‘The Boss Baby’ makes a mess in the theater
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•
March 25, 2017
The original ‘Planet of the Apes’ is innovative and refreshing
Olivia Popp
•
March 9, 2017
Our movies and our morals
Iain Espey
•
March 6, 2017
‘The Handmaiden’ at Aquarius excels, but not in the way you would think
Elaine Kim
•
Nov. 10, 2016
Marvel’s ‘Doctor Strange,’ or: How I Learned to Stop Worrying and Like the MCU
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•
Nov. 4, 2016
‘Oldboy’ director’s ‘The Handmaiden’ is a tough, smart watch
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•
Oct. 28, 2016
Film review: The Miami of ‘Moonlight’ mystifies
Raymond Maspons
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Oct. 27, 2016
Filmmaker Mira Nair talks challenges with producing ethnic films
Ariel Liu
•
Oct. 30, 2015
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