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movie review
Screen
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Emmett Chung
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Jan. 19
Screen
Her POV: ‘Sorry, Baby’ hits hard, apologizes for nothingÂ
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•
Jan. 5
Screen
Her POV: Who gets to survive ‘A House Of Dynamite’ in the United States?
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•
Nov. 12
Screen
‘The Texas Chainsaw Massacre’ (1974) is a cleverly-written horror classic
Mason Barrett
•
Jan. 21, 2025
Screen
In Focus: ‘C/o Kancharpelam’ addresses the small town taboo of love
Srithanya Satish
•
Nov. 20, 2024
Screen
Talk Horror to Me: Meet ‘Abigail,’ the first pirouetting vampire
Emma Kexin Wang
•
Nov. 7, 2024
Screen
I watched 40 movies this summer. Here are my five favorites.
Ellaheh Gohari
•
Oct. 30, 2024
Screen
What do Stanford tennis players think about ‘Challengers’?
Annie Tang
•
Aug. 1, 2024
Screen
Talk Horror to Me: Documenting trauma in ‘Nope’ (2022)
Emma Kexin Wang
•
Feb. 12, 2024
Screen
The new ‘Mean Girls’ falls flat, but not without something ‘fetch’ for Gen Z
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and
Annie Virsik
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Jan. 31, 2024
The Grind
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Arts & Life
The Sound of Cinema: ‘Singin’ in the Rain’ transforms dancing and splashing into musical joy
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•
Jan. 11, 2024
The Grind
‘Curry and Pepper’: The Kodak Ad
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•
Nov. 9, 2023
Screen
Talk Horror to Me: Misdirected forms of human connections in ‘Talk to Me’
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•
Nov. 8, 2023
Screen
‘Good’ girlhood: ‘Aftersun’ and the pain of turning girlhood memories into adult wisdom
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•
Oct. 16, 2023
Screen
‘Bottoms’: The perfect teenage-lesbian-fight-club fever dreamÂ
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•
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Screen
20/20 Vision: Legacy of ‘Wings’ (1927) as the first Best Picture
Anthony Martinez Rosales
•
May 25, 2023
Screen
Films My Father Loves: In spite of everything, ‘Life is Beautiful’
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•
Feb. 1, 2023
Screen
Films my father loves: ‘Click’-ing through the past
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•
Oct. 27, 2022
Screen
Mis-flow: ‘Don’t Worry Darling’ exposes the troubling state of Hollywood
Peyton Lee
•
Sept. 25, 2022
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