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Linda Uyechi and Steve Sano discuss Taiko at Stanford and around the world
Maimi Higuchi
•
May 7, 2017
The unexpected grace of Kendrick Lamar’s ‘DAMN.’
Benjamin Sorensen
•
April 27, 2017
What’s next for Halsey? A look at her latest single, ‘Now or Never’
Dante Laird
•
April 27, 2017
Russell Gavin named new director of LSJUMB
Arielle Rodriguez
•
April 25, 2017
The five stages of writing a song: An artist’s perspective
Trenton Chang
•
April 24, 2017
Chairlift in concert: Or, when a band ends
Jacob Kuppermann
•
April 20, 2017
Rooney Pitchford ’15 gets a hero’s welcome in San Francisco
Benjamin Sorensen
•
April 13, 2017
The Chainsmokers are the boring sort of bad
Jacob Kuppermann
•
April 13, 2017
The Red Hot Chili Peppers bring the hype to Oracle
Dylan Grosz
•
April 11, 2017
Spoon loses their cool on ‘Hot Thoughts’
Nick Burns
•
April 10, 2017
A night at Bing with Vikesh Kapoor, American bard
Benjamin Sorensen
•
April 7, 2017
The sound of anime: Connecting feelings with music
Trenton Chang
•
April 6, 2017
Zedd to perform at Frost Music & Arts Festival
Ariel Liu
•
April 4, 2017
Future, Young Thug and Lil B: In praise of prolific artists
Jacob Kuppermann
•
March 14, 2017
Thundercat’s ‘Drunk’ offers a sobering message on escapism
Dylan Grosz
•
March 14, 2017
Dodie Clark and the power of YouTube to launch music careers
Jourdann Fraser
•
March 1, 2017
The Grind
Music and memory
Julie Plummer
•
Feb. 26, 2017
BJ the Chicago Kid delivers a dizzying performance at Black Love
Benjamin Sorensen
•
Feb. 20, 2017
Classy Classes: MUSIC 133 introduces the food, music and history of medieval feasts
Christina Pan
•
Feb. 16, 2017
Interview: Moon Hooch Makes “Energy Music”
Dylan Grosz
•
Feb. 16, 2017
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