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Roble arts gym

Culture
A headshot of Professor Richard Powers.

Richard Powers’ 31-year waltz on the Farm

Judy N. Liu
  •  
Dec. 4
Culture
The cast of "A Chorus Line" dances on stage during their last performance of the show.

‘A Chorus Line’ spotlights individual skills of student actors

Greta Reich
  •  
April 17, 2023
Culture
Two students browse the Roble Reuse store.

Roble Reuse promotes sustainability on campus through free item exchange 

Chloe Mendoza
  •  
Feb. 17, 2022
On Campus
Students engage in artistic activities around a wooden table at the Roble Arts Gym

Roble Arts Gym reopens after long COVID-19 hiatus

Mary Lee
  •  
Sept. 30, 2021
The Grind
In the words of Richard Coca, bathroom selfies are socially acceptable when you're taking them for journalism. (Photo: RICHARD COCA / The Stanford Daily)

Best places to party at the potty, No. 2

Richard Coca
  •  
Dec. 2, 2019
Arts & Life
"Pass by Catastrophe" band members Max Kilberg '21, Zach Plante '18, Dexter Simson '21 and Sam Silverman '21 pose with the iconic Lake Lagunita as backdrop. (Photo courtesy of Sam Silverman)

Passing by catastrophe: EP-style

Natalie Francis
  •  
Oct. 14, 2019
Courtney Flores' costumes reflect the 1950s setting of Lorraine Hansberry's "A Raisin in the Sun" (COURTNEY FLORES/Stanford TAPS).

Dream deferred? TAPS + BLACKstage’s “A Raisin in the Sun” is a dream fulfilled

Chloe Wintersteen
  •  
Nov. 1, 2018
Bella Wilcox '19 and Elias Mooring '18 in a scene from "The Ocean and the Avenue." (Courtesy of Spencer Slovic)

‘The Ocean & the Avenue’: an antidote to deadened Marvel cinema

Carlos Valladares
  •  
May 25, 2018
Photo courtesy of Frank Chen.

‘No Hero’ at Roble Gym is ‘a multimedia masterwork’

Alli Cruz
  •  
May 25, 2017
unspecified

‘Saint Joan of the Stockyards’ gives power to the people

Alessandro R.L. Hall
  •  
May 5, 2017
New student group Stanford Zumba teaches an aerobic fitness program inspired by Latin American dancing (Courtesy of Jay Gonzalez).

Students dance away stress in new Stanford Zumba club

Ellie Bowen
  •  
March 3, 2017
The Stanford Daily

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