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taps
Arts & Life
Stanford TAPS’s play ‘Cerulean’ explores vulnerability and human connection in a society reliant on technology
Yejin Song
•
Aug. 25, 2020
Arts & Life
Artist Spotlight: Eve La Puma ’20, actor-musician
Natalie Francis
•
June 13, 2020
Arts & Life
The Off the Farm ‘Benefit Cabaret’: Finding permanence in a time (and art form) of transience
Justine Sombilon
•
May 25, 2020
Arts & Life
Everybody can be everybody, but only in the cast of ‘Everybody’
Khuyen Le
•
March 16, 2020
Arts & Life
Tap into TAPS and other student groups for dance opportunities
Leilani Tian
•
Sept. 28, 2019
Dream deferred? TAPS + BLACKstage’s “A Raisin in the Sun” is a dream fulfilled
Chloe Wintersteen
•
Nov. 1, 2018
Roble Arts Gym receives Preservation Design Award two years after renovation
Yusra Arub
•
Oct. 23, 2018
‘Hecuba/Helen’ is mesmerizing but lacking impact
Minh-Anh Day
•
July 30, 2018
Classy Classes: Students go ham for ‘Hamilton’ in AFRICAAM 5I
Tyler Johnson
•
May 8, 2018
Unscripted Playhouse promotes improv through open membership
Felicia Hou
•
Jan. 28, 2018
The Grind
Making friends in class
Matt Bernstein
•
May 8, 2017
Classy classes: ‘The Idea of Virtual Reality’
Lisa Wang
•
Feb. 12, 2017
Theater review: TAPS’ ‘Spring Awakening’ is an inaugural production to be remembered
Olivia Witting
•
Oct. 30, 2016
Theater Review: ‘The Mathematics of Love’ is a stunning exploration of intimacy
Madelaine Bixler
•
May 11, 2016
Theater review: “Oh, What a Lovely War!” delivers an academically-envisioned but slapdash performance
Olivia Witting
•
March 9, 2016
Theater review: Brilliant ‘The Duel’ adds drama to mathematics
Olivia Witting
•
Feb. 16, 2016
Top 5 Stanford Theater Productions of 2015
Arts & Life Theater Beat writers
•
Jan. 10, 2016
‘Fox Mirror Forest’ overruns Frost Amphitheater with dancing foxes
Olivia Witting
•
Nov. 23, 2015
Now introducing: The new director of TAPS
Madeline MacLeod
•
Nov. 11, 2015
TAPS capstone ‘Glengarry Glen Ross’ sparks thought
Bella Wilcox
•
Nov. 11, 2015
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