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taps

Culture

TAPS’s ‘For Now’: A theatrical respite from toxic productivity

Charlotte Kearns
  •  
Yesterday
Culture

19th century classic, reimagined: Morality meets generational divide in ‘Mrs. Warren’

Charlotte Kearns
  •  
Oct. 23
Magazine
Stanford musicians crossing the street in a similar manner to that of the Abbey Road album cover

Beyond STEM: The future of arts education and opportunities at Stanford

Sebastian Hochman
  •  
May 28
Culture

‘Snow in Midsummer’: How far is one willing to go for family obligations?

Alexa Figueroa
  •  
May 8
Culture

Gender and media in politics through ‘Julius Caesar’

Alexa Figueroa
  •  
March 12
Culture
Three people are being tied to posts, while a soldier wearing camouflage and a red cap is taking notes of what they are saying.

On a blood-smeared stage, TAPS’ fall production ‘Parentheses of Blood’ glistens

Annie C. Reller
  •  
Nov. 30, 2022
Culture
The person in white short-sleeved shirt and white flowy pants stretches her arm in an elegant arch, her right foot ahead of her left. The students stand behind her, admiring the elegant dance as they stood in an atrium with wooden floor and the shadow of the window casting down

Planet Earth Arts teaches students to embrace ‘the other’ through dance

Sofia Gonzalez-Rodriguez
  •  
May 4, 2022
Arts & Life

TAPS’ ‘As Soon as Impossible’ is equal parts emotionally heavy and comedically light-hearted

Allison Casasola
  •  
Nov. 15, 2021
Arts & Life
An example of the audience's perspective during a StageCast performance. (Screenshot: QINGXI MENG)

Interdisciplinary fall class reimagines virtual performance

Kaitlyn Huang
  •  
Dec. 21, 2020
Academics
Social Dance instructor Richard Powers demonstrates with instructor Angela Amarillas. (Photo: L.A. CICERO/Stanford News Service)

Performance arts instructors develop new ways to engage students in anticipation of remote fall quarter

Matthew Turk
  •  
Aug. 30, 2020
Arts & Life
(Photo: YEJIN SONG/The Stanford Daily)

Stanford TAPS’s play ‘Cerulean’ explores vulnerability and human connection in a society reliant on technology

Yejin Song
  •  
Aug. 25, 2020
Arts & Life
Eve La Puma '20 majored in TAPS with a minor in music (bassoon performance) and is a highly valued member of the Stanford Arts community. She celebrates her graduation this weekend with the class of 2020 and will be dearly missed. (Photo courtesy of Eve La Puma)

Artist Spotlight: Eve La Puma ’20, actor-musician

Natalie Francis
  •  
June 13, 2020
Arts & Life
The Off the Farm Benefit Cabaret was live-streamed at 7 p.m. PT on Friday, May 8. The event simultaneously showcased the talents of many Stanford performers and fundraised for the Stanford Students for Worker's Rights Fund. (Graphic: Vincent Nicandro)

The Off the Farm ‘Benefit Cabaret’: Finding permanence in a time (and art form) of transience

Justine Sombilon
  •  
May 25, 2020
Arts & Life
The actors took to the stage from the audience to emphasize that anybody could be Everybody. (Photo courtesy of Stephen Hitchcock)

Everybody can be everybody, but only in the cast of ‘Everybody’

Khuyen Le
  •  
March 16, 2020
Arts & Life

Tap into TAPS and other student groups for dance opportunities

Leilani Tian
  •  
Sept. 28, 2019

Dream deferred? TAPS + BLACKstage’s “A Raisin in the Sun” is a dream fulfilled

Chloe Wintersteen
  •  
Nov. 1, 2018
Screen Shot 2018-10-23 at 1.23.18 AM

Roble Arts Gym receives Preservation Design Award two years after renovation

Yusra Arub
  •  
Oct. 23, 2018

‘Hecuba/Helen’ is mesmerizing but lacking impact

Minh-Anh Day
  •  
July 30, 2018
(Courtesy of Wikimedia Commons)

Classy Classes: Students go ham for ‘Hamilton’ in AFRICAAM 5I

Tyler Johnson
  •  
May 8, 2018
cardinal-red-daily-s-logo

Unscripted Playhouse promotes improv through open membership

Felicia Hou
  •  
Jan. 28, 2018
The Stanford Daily

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