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Theater and Performance Studies

Screen
Nicholas Gonzalez wears a white shirt with rolled-up sleeves and a loose black tie.

Actor Nicholas Gonzalez ’98 shares the behind-the-scenes of his Hollywood career

Rosana Maris Arias
  •  
Sept. 29, 2024
Screen
College-aged Andre Braugher onstage in the spotlight. Other students crawl toward him, lit in red.

Remembering Andre Braugher ’84: A magnificent man and his magnificent work

Cameron Duran
  •  
Dec. 23, 2023
Culture
A photo of the program of TAPS' "For Now" production.

TAPS’s ‘For Now’: A theatrical respite from toxic productivity

Charlotte Kearns
  •  
Dec. 3, 2023
Culture
Program with photo of flower reading "Mrs. Warren: a modern adaptation. TAPS"

19th century classic, reimagined: Morality meets generational divide in ‘Mrs. Warren’

Charlotte Kearns
  •  
Oct. 23, 2023
Culture
Three actors sit around a table with their arms up, facing the audience of TAPS show, "CS106A."

‘106’ surprises audiences with a philosophical discussion of technology

Anthony Martinez Rosales
  •  
May 14, 2023
Culture
Three people are being tied to posts, while a soldier wearing camouflage and a red cap is taking notes of what they are saying.

On a blood-smeared stage, TAPS’ fall production ‘Parentheses of Blood’ glistens

Annie C. Reller
  •  
Nov. 30, 2022
Arts & Life
Margarita Belle Jamero ’24 and Morgan Gwilm Tso ’22 act out a scene in "As Soon as Impossible"

TAPS’ ‘As Soon as Impossible’ is equal parts emotionally heavy and comedically light-hearted

Allison Casasola
  •  
Nov. 15, 2021
Interviews
Photo of Sierra Porter '22

Q&A: Sierra Porter ’22 on lifting Black experiences in entertainment industry

Peter Pu
  •  
Aug. 16, 2021
Arts & Life
(Photo: YEJIN SONG/The Stanford Daily)

Stanford TAPS’s play ‘Cerulean’ explores vulnerability and human connection in a society reliant on technology

Yejin Song
  •  
Aug. 25, 2020
Arts & Life
The actors took to the stage from the audience to emphasize that anybody could be Everybody. (Photo courtesy of Stephen Hitchcock)

Everybody can be everybody, but only in the cast of ‘Everybody’

Khuyen Le
  •  
March 16, 2020
Arts & Life
The newly-dead Eurydice (Skylar Adams) does not recognize the shade of her father (Carter Duncan) as the jeering chorus of Stones (Emma Lenza, Juliet Kulusic, Alexa Standridge) look on. (Photo: Stan Olszewski/SCU•Presents)

Language is the food of love in SCU’s ‘Eurydice’

Natalie Francis
  •  
Nov. 13, 2019
Arts & Life
The Cardinal Ballet Company performs "The Nutcracker" in 2018 with tremendous aplomb. (Photo: Alvaro Ponce)

Tap into TAPS and other student groups for dance opportunities

Leilani Tian
  •  
Sept. 28, 2019
Screen Shot 2018-10-23 at 1.23.18 AM

Roble Arts Gym receives Preservation Design Award two years after renovation

Yusra Arub
  •  
Oct. 23, 2018
(Courtesy of Wikimedia Commons)

Classy Classes: Students go ham for ‘Hamilton’ in AFRICAAM 5I

Tyler Johnson
  •  
May 8, 2018
Photo courtesy of Frank Chen.

‘No Hero’ at Roble Gym is ‘a multimedia masterwork’

Alli Cruz
  •  
May 25, 2017
A scene from TAPS' production of "Spring Awakening," the inaugural performance of the new Roble Studio Theater. (Photo: Frank Chen)

Theater review: TAPS’ ‘Spring Awakening’ is an inaugural production to be remembered

Olivia Witting
  •  
Oct. 30, 2016
Courtesy of Frank Chen

Theater Review: ‘The Mathematics of Love’ is a stunning exploration of intimacy

Madelaine Bixler
  •  
May 11, 2016
(Courtesy of Stanford TAPS)

Theater review: ‘White Power: A Comedy’ hits home

Madelaine Bixler
  •  
Feb. 18, 2016
AL.102014.Machinal4

Well-executed ‘Machinal’ delves into a 1920s murder trial

Noemi Berkowitz
  •  
Nov. 19, 2014
AL.111414.kingdom

TAPS exposes the nature of humanity through its gripping production of ‘A Kingdom, A Country or a Wasteland, In the Snow’

Ian Anstee
  •  
Nov. 13, 2014
The Stanford Daily

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