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Da-Hee Kim
Da-Hee Kim is The Volume 265 Graphics Editor. Contact Da-Hee at photo 'at' stanforddaily.com.
Multimedia by Da-Hee Kim
Science & Technology
Research Roundup: catfish prevent disease spread, earthquake maps and student with math learning disabilities
Charlotte Burks
•
Feb. 16
Science & Technology
Research Roundup: premature babies, lead poisoning, ocean conservation
Beatrice Barnes
•
Jan. 25
University
Faculty Senate debates COLLEGE curriculum, votes to support post-bacc athlete admissions
Mary Zheng
•
Nov. 7
University
In the wake of tragedy, Stanford expanded mental health services. Some say it’s not enough.
Andrew Zeng
•
May 27
Reads
Rage on the Page: ‘Soft Core’ by Brittany Newell, a fever dream of longing and loss
Melisa Ezgi Guleryuz
•
Feb. 26, 2025
Reads
Rage on the Page: ‘Bunny’ by Mona Awad, a darkly hilarious descent into madness
Melisa Ezgi Guleryuz
•
Feb. 12, 2025
Screen
Her POV: ‘The Last Showgirl’ is a moving glimpse of an artist’s journey
Blyss Cleveland
•
Feb. 2, 2025
Columnists
Levine | Violent resistance and terror: Where do we draw the line?
Jennifer Xin-Tsu Lin Levine
•
Feb. 2, 2025
Magazine
Returning home: Resistance, resilience and reflections of Kawthoolei
Mu Hsi Hsi
•
Jan. 31, 2025
Magazine
Canadian, Greenlandic students are no longer considered international, University says
Garrett Khatchaturian
•
Jan. 31, 2025
Magazine
Behind Muslim, Arab and Palestinian students’ struggle to find academic resources at Stanford
Naomi Breuer
•
Jan. 31, 2025
Magazine
Stanford, the stars and the connections that bind us
Lara Seyahi
•
Jan. 31, 2025
Magazine
History in the policy room
Judy N. Liu
•
Jan. 31, 2025
Screen
‘Nosferatu’ (2024) marries the beautiful and the grotesque
Cate Burtner
•
Jan. 28, 2025
Screen
‘Dune: Prophecy’ Season 1 is a bold, but uneven journey into the origins of the Bene Gesserit
Zora Hudson
•
Jan. 27, 2025
University
University to review DEI programs following Trump’s executive order
Leo Melton
and
Sofia Williams
•
Jan. 26, 2025
Screen
Rage on the Page: The howl of ‘Nightbitch’ the film barely echoes the novel
Melisa Ezgi Guleryuz
•
Jan. 23, 2025
Screen
Her POV: ‘Babygirl’ is all tension with no release
Blyss Cleveland
•
Jan. 20, 2025
Culture
Chronically Online: ‘Day in the Life’ influencers democratize the Stanford experience
Chloe Shannon Wong
•
Jan. 20, 2025
Screen
‘Superman’ teaser radiates hope and justice for a brighter tomorrow
Sebastian Strawser
•
Jan. 16, 2025
Opinions
Crime and punishment in Luigi Mangione’s America
Ajay Eisenberg
•
Jan. 15, 2025
Reads
Rage on the Page: ‘Boy Parts’ pictures the art of uncomfortable truths
Melisa Ezgi Guleryuz
•
Jan. 14, 2025
Reads
Obsession is not desire: ‘My Husband’ progresses beyond tropes of mental illness
Cate Burtner
•
Jan. 13, 2025
Screen
Her POV: ‘Madeline’s Madeline’ artfully breaks down the parent-child bond
Blyss Cleveland
•
Jan. 12, 2025
World & Nation
Former camper, co-worker from Stanford summer program remember CEO shooting suspect Luigi Mangione as ‘easygoing’
George Porteous
•
Jan. 7, 2025
Music
No language barriers, just musical bangers
Ellaheh Gohari
•
Dec. 2, 2024
The Grind
Letters From Down Under: Stinky swamps and murky waters
Allie Skalnik
•
Dec. 1, 2024
Culture
Caps and gowns across the Bay: Graduation fashion at Stanford vs. UC Berkeley
Dan Kubota
•
Nov. 21, 2024
Screen
In Focus: ‘C/o Kancharpelam’ addresses the small town taboo of love
Srithanya Satish
•
Nov. 20, 2024
Reads
Stanford and Berkeley journalism alumni report on reporting
Catherine Wu
•
Nov. 19, 2024
Music
Made a mixtape, hope you like it: Fiona Apple
Amanda Altarejos
•
Nov. 17, 2024
Music
Reviewing the (musical) roster: Stanford versus Cal’s live music venues
Charlotte Burks
•
Nov. 17, 2024
Reads
9 book clubs for all those looking for a reading community
Zara Fite
•
Nov. 13, 2024
Reads
Rage on the Page: Putting scandal on trial in ‘The Lost Honor of Katharina Blum’
Melisa Ezgi Guleryuz
•
Nov. 13, 2024
Reads
‘Sad girl poetry’ and the gendered political madness of 2024
Cate Burtner
•
Nov. 12, 2024
Campus Life
‘Emotional wreck’: Students from swing states feel let down by election results
Naomi Breuer
•
Nov. 12, 2024
The Grind
Letters from Down Under: The stingless bee colonies
Allie Skalnik
•
Nov. 11, 2024
Screen
‘Anora’ mostly avoids tired tropes about sex workÂ
Blyss Cleveland
•
Nov. 11, 2024
Culture
Chronically Online: Student influencers grapple with fame on the Farm
Chloe Shannon Wong
•
Nov. 10, 2024
Screen
Talk Horror to Me: Meet ‘Abigail,’ the first pirouetting vampire
Emma Kexin Wang
•
Nov. 7, 2024
Screen
In Focus: ‘Kumbalangi Nights’ redefines brotherhood and manhood
Srithanya Satish
•
Nov. 5, 2024
Screen
In love but out of time: Florence Pugh and Andrew Garfield’s acting pulls at heartstrings
Leki Albright
•
Nov. 4, 2024
Reads
Rage on the Page: ‘My Year of Rest and Relaxation’ foregrounds the seductive appeal of oblivion
Melisa Ezgi Guleryuz
•
Nov. 3, 2024
Music
Beandon’s Musical Corner: The Dismemberment Plan’s Travis Morrison on Chappell Roan, Sci-Fi and the Internet
Brandon Rupp
•
Oct. 29, 2024
Music
Made a mixtape, hope you like it: Elliott Smith
Amanda Altarejos
•
Oct. 29, 2024
Screen
Her POV: ‘Woman of the Hour’ frames skepticism as a silent killer of womenÂ
Blyss Cleveland
•
Oct. 29, 2024
Screen
‘Hillbilly Elegy’ dissects J.D. Vance’s tenacity
Scarlett Gamble
•
Oct. 29, 2024
Reads
The viral book ‘A Little Life’ handles little with care
Cate Burtner
•
Oct. 28, 2024
Screen
‘Civil War’ warns us against defying democracy
Ellaheh Gohari
•
Oct. 27, 2024
Culture
Chronically Online: Stanford students navigate the LinkedIn labyrinthÂ
Chloe Shannon Wong
•
Oct. 27, 2024
Reads
Back-to-school books: Reading that shaped us
Cate Burtner
,
Kelly Wang
,
Sanaya Robinson-Shah
,
Anya Vedantambe
and
Grace Zhao
•
Oct. 22, 2024
Screen
Talk Horror to Me: ‘The Substance’ is all form with little substance
Emma Kexin Wang
•
Oct. 17, 2024
The Grind
Letters from Down Under: Ocean curiosities
Allie Skalnik
•
Oct. 16, 2024
Reads
Rage on the Page: ‘Nightbitch’ unleashes maternal rage
Melisa Ezgi Guleryuz
•
Oct. 15, 2024
Science & Technology
Research Roundup: Neuron growth, ocean carbon absorption and long-term hurricane harms
Rishi Upadhyay
•
Oct. 14, 2024
Screen
‘Good’ Girlhood: 7 female-focused coming-of-age films
Blyss Cleveland
•
Oct. 14, 2024
Music
Made a mixtape, hope you like it: Nick Drake
Amanda Altarejos
•
Oct. 14, 2024
Reads
The real monster of ‘Frankenstein’ is brutal, and it’s not who you think
Cate Burtner
•
Oct. 14, 2024
The Grind
Letters from Down Under: Lessons in stewardship
Allie Skalnik
•
Oct. 10, 2024
Culture
Q&A: Mark Baugh-Sasaki brings art to habitat restoration
Adam Golomb
•
Oct. 10, 2024
The Grind
In Good Company: The evolution of the summer fling
Les Ortega
•
Oct. 9, 2024
Reads
Tony Weaver Jr.’s ‘Weirdo’ ushers in the hero’s mental health journey
Sebastian Strawser
•
Oct. 6, 2024
Reads
In debut autobiography, Preston Perry’s heart for others jumps off the page
Estefany Mendoza Rodriguez
•
Oct. 3, 2024
Screen
‘We Are Lady Parts’ tunes into the business of art
Blyss Cleveland
•
Sept. 30, 2024
Screen
Why celebrities flock to ‘Chicken Shop Date’
Chloe Shannon Wong
•
Sept. 25, 2024
Screen
‘A Minecraft Movie’ may craft something new
Sebastian Strawser
•
Sept. 24, 2024
Screen
‘Abbott Elementary’ ends the year with a bang
Emma Kexin Wang
•
June 5, 2024
The Grind
TTYL: What ‘The Giver’ gives
Sonnet Xu
•
May 30, 2024
Culture
Rating CoHo sweet treats
Sonnet Xu
•
May 29, 2024
Screen
‘Turtles All the Way Down’: Thin lines between self-care and self-absorption
Blyss Cleveland
•
May 17, 2024
Editorial Board
Editorial Board | Give students seats on the Investment Responsibility Committee
Vol. 265 Editorial Board
•
May 15, 2024
Screen
‘Good’ girlhood: ‘How to Have Sex’ is about the before and afterÂ
Blyss Cleveland
•
May 13, 2024
The Grind
TTYL: Glory and Gilgamesh
Sonnet Xu
•
May 7, 2024
The Grind
On life as a bi male survivor
Sebastian Strawser
•
May 5, 2024
Music
Beandon’s Musical Corner: ‘Only God Was Above Us’ by Vampire Weekend
Brandon Rupp
•
May 1, 2024
Screen
‘Challengers’ tries to make Stanford sexy again
Blyss Cleveland
•
April 30, 2024
Culture
From Chassé to Sashay: A swing through Stanford’s dance minor
Dakota Gelman
•
April 30, 2024
Reads
World of Words: ‘Innards’ dissects our discomfort with the past
Breanna Burke
•
April 29, 2024
Screen
‘Civil War’ can’t decide what it’s fighting for
Anthony Martinez Rosales
•
April 23, 2024
Screen
The Daily’s Terra-ific watches for Earth Day
Emma Kexin Wang
,
Dan Kubota
,
Olena Bogdan
,
Cameron Duran
,
Adam Golomb
and
Grace Zhou
•
April 23, 2024
Research
Research Roundup: Searching the stars and the brain
Jack Quach
•
April 22, 2024
Music
Elegies to lost love: ‘The Tortured Poets Department’ is one of Taylor Swift’s best releases
Estefany Mendoza Rodriguez
•
April 22, 2024
Editorial Board
Editorial Board | Stanford’s new president faces several challenges
Vol. 265 Editorial Board
•
April 19, 2024
Screen
Dev Patel’s ‘Monkey Man’ packs a refreshing punch
Emma Kexin Wang
•
April 10, 2024
Screen
‘Good’ Girlhood: Down but not out in the ‘Slums of Beverly Hills’
Blyss Cleveland
•
April 8, 2024
The Grind
TTYL: Machiavelli today
Sonnet Xu
•
April 4, 2024
Humor
“Gladiator combat” to replace dispute resolution between students
Sebastian Strawser
•
April 3, 2024
Screen
‘Good’ Girlhood: ‘Drylongso’ views Black boys through a Black girl’s lens
Blyss Cleveland
•
March 13, 2024
Screen
Delicate Sensibilities: ‘Bodies Bodies Bodies’ is remarkably Gen-Z fluentÂ
Julia Donlon
•
March 13, 2024
Music
Beandon’s Musical Corner: MGMT carves a new sound with ‘Loss of Life’
Brandon Rupp
•
March 11, 2024
Reads
Lyrical love winds and turns in Pulitzer Prize finalist’s debut novel
Julia Donlon
•
March 10, 2024
Reads
World of Words: ‘Lizard’ unveils the extraordinary in the mundane
Breanna Burke
•
March 6, 2024
The Grind
A letter to myself, 10 years ago
Sebastian Strawser
•
Feb. 27, 2024
Screen
Movie musical renaissance or regression?
Charlotte Burks
•
Feb. 22, 2024
Academics
‘Enthusiasm for innovation’: Meet Stanford’s budding entrepreneurs
Cedric He
•
Feb. 12, 2024
The Stanford Daily
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