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Critic’s Pick
Film review: ‘Tower’ finds humanity amidst tragedy
Rey Barceló
•
Nov. 4, 2016
Marvel’s ‘Doctor Strange,’ or: How I Learned to Stop Worrying and Like the MCU
Olivia Popp
•
Nov. 4, 2016
Film review: Technicolor feminist sex-horror B-movie ‘Love Witch’ is kinda kooky
Hannah Frakes
•
Nov. 2, 2016
Theater review: TAPS’ ‘Spring Awakening’ is an inaugural production to be remembered
Olivia Witting
•
Oct. 30, 2016
Grimes and HANA embrace eccentricity in their Ac!d Reign Chronicles video series
Medina Husakovic
•
Oct. 28, 2016
‘Oldboy’ director’s ‘The Handmaiden’ is a tough, smart watch
Rey Barceló
•
Oct. 28, 2016
Political movie classic “The Battle of Algiers” receives new restoration
Amir Abou-Jaoude
•
Oct. 28, 2016
Film review: The Miami of ‘Moonlight’ mystifies
Raymond Maspons
•
Oct. 27, 2016
Trenton’s Playlist: For those cold October nights
Trenton Chang
•
Oct. 20, 2016
New Wilco finds vulnerable, cynical Tweedy looking back
Nick Burns
•
Oct. 19, 2016
Subtle Symphonies: Kelly Reichardt’s ‘Certain Women’ moves by standing still
Carlos Valladares
•
Oct. 14, 2016
Ten featured albums of the summer
Tyler Dunston
•
Oct. 11, 2016
Bon Iver’s ‘22, A Million’ finds beauty in uncertainty
Tyler Dunston
•
Oct. 4, 2016
Hip Support: On Aubrey Plaza, Tom Bennett, Bill Hader, and Hollywood’s Character Cast
Carlos Valladares
•
Oct. 1, 2016
Film review: Clint Eastwood’s solemn ‘Sully’ stars Tom Hanks in career high
Carlos Valladares
•
Sept. 22, 2016
Film review: Crime western ‘Hell or High Water’ is worth watching
Raymond Maspons
•
Sept. 20, 2016
Food review: When life gives you lemons, go to “Lemonade”
Ashley Chang
•
Aug. 28, 2016
The Birds, the Tweets, the Monks: Werner Herzog documentary “Lo and Behold” investigates the Internet
Carlos Valladares
•
Aug. 20, 2016
Young Love: Vincente Minnelli (‘Gigi’, ‘Reluctant Debutante’) at the Stanford Theatre
Carlos Valladares
•
Aug. 8, 2016
‘Monumental Clay’ fires up viewers at Palo Alto Art Center
Gwen Cusing
•
Aug. 2, 2016
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