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Alanna Mitchell’s ‘Sea Sick’ lands on a refreshing but weak solution to climate change
Betty He
•
April 13, 2022
Arts & Life
Gina Hernandez-Clarke ’89 explains murals and art activism on campus
Ximena Sanchez Martinez
•
April 10, 2022
Culture
Stanford names Veronica Roberts as new Cantor director
Bhumikorn Kongtaveelert
•
April 6, 2022
Culture
Former faculty member’s dance company weaves movement with spoken word
Sofia Gonzalez-Rodriguez
•
April 5, 2022
Culture
FashionX makes space for Stanford creatives at thredUP collaboration
Chloe Mendoza
•
March 6, 2022
Culture
Pali: A moving reflection on the 1947 Partition
Lydia Wei
•
March 6, 2022
Arts & Life
Haddad’s ‘Falling for Make Believe’ oozes with confidence, humor and sentimentality
Betty He
•
March 1, 2022
Arts & Life
Phallic and feminist: Anita Steckel and the writers of art history
Bhumikorn Kongtaveelert
and
Betty He
•
March 1, 2022
Featured
Styling Stanford: Black-owned businesses to keep on your radar
Chloe Mendoza
•
Feb. 28, 2022
Culture
Tricks, twirls and throwing it back: ‘EnCounter Culture’ 2022
Sarayu Pai
•
Feb. 28, 2022
Arts & Life
Stanford Shakespeare Company’s ‘As You Like It’ enters the dream world
Lydia Wei
•
Feb. 27, 2022
Culture
Flor y Canto: Casa Zapata’s annual community and art tradition returns
Ximena Sanchez Martinez
•
Feb. 24, 2022
Culture
Stanford Drag Troupe’s ‘Celestial Excellence’: Campy ‘genderfuckery’ in all its glory
Lydia Wei
•
Feb. 21, 2022
Arts & Life
AATP New Works Festival explores and challenges stereotypes of gender and race
Yastika Guru
•
Feb. 21, 2022
Culture
Roble Reuse promotes sustainability on campus through free item exchange
Chloe Mendoza
•
Feb. 17, 2022
Arts & Life
Virgo Wig Co: empowering Black women and combating unethical labor through artistry
Ximena Sanchez Martinez
•
Feb. 16, 2022
Arts & Life
What to expect from the new Vice President of the Arts? Q&A with Deborah Cullinan
Bhumikorn Kongtaveelert
•
Feb. 10, 2022
Arts & Life
“Churro” or political commentary: the truth behind Meyer Green’s new sculpture
Betty He
,
Bhumikorn Kongtaveelert
,
Nikolas Liepins
and
Peyton Lee
•
Feb. 10, 2022
Arts & Life
Gunner Dongieux’s “One Liners” find humor in art
Yastika Guru
•
Feb. 9, 2022
Arts & Life
Clayman Institute spotlights Terry Berlier’s wordlessly eloquent conceptual sculpture
Sofia Gonzalez-Rodriguez
•
Feb. 9, 2022
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