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Throwback Thursday: Bergman ended his career on a high note with ‘Fanny and Alexander’

Elaine Kim
  •  
Feb. 2, 2017
Taraneh Alidoosti as “Rana” (left) and Shahab Hosseini as “Emad” (right) in The Salesman directed by Asghar Farhadi. Photo courtesy of Amazon Studios and Cohen Media Group

Asghar Farhadi captivates with almost perfect ‘The Salesman’

Amir Abou-Jaoude
  •  
Jan. 31, 2017
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Throwback Thursday: ‘Blow Out’ is a knockout

Rey Barceló
  •  
Jan. 26, 2017
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Throwback Thursday: Even a minor Renoir work shines in ‘The Golden Coach’

Amir Abou-Jaoude
  •  
Jan. 25, 2017
James McAvoy in "Split". Courtesy of Universal Pictures/Blumhouse Productions

Plot twist: ‘Split’ is really good

Raymond Maspons
  •  
Jan. 25, 2017
Kristen Stewart in "Certain Women." (Photo: Jojo Whilden, IFC Films)

Oscars 2017: Who SHOULD get nominated

Carlos Valladares
  •  
Jan. 22, 2017
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At the Stanford: Two rare Lubitsch silents

Carlos Valladares
  •  
Jan. 19, 2017
Natalie Portman as "Jackie Kennedy" in JACKIE. Photo by Pablo Larraín. © 2016 Twentieth Century Fox Film Corporation All Rights Reserved

Natalie Portman keeps the uneven ‘Jackie’ grounded

Amir Abou-Jaoude
  •  
Jan. 19, 2017
Left to right: Sandra Hüller as Ines and Peter Simonischek as Winfried @ Komplizen Film, Courtesy of Sony Pictures Classics

‘Toni Erdmann’ is as hilarious as it is horrifying

Rey Barceló
  •  
Jan. 18, 2017
(l-r) Carole Lombard and Jack Benny in Ernst Lubitsch's sparkling anti-Nazi comedy "To Be Or Not to Be". (Courtesy of Janus Films).

Stanford Theatre schedule, Jan. 17-22

Carlos Valladares
  •  
Jan. 17, 2017
Conor (Lewis MacDougall) confronts the Monster (Liam Neeson) in J.A. Bayona’s drama A MONSTER CALLS. Photo credit : Focus Features.

‘A Monster Calls’ delivers real terror and truth

Allen Wu
  •  
Jan. 13, 2017
Mia (Emma Stone) and Sebastian (Ryan Gosling) in LA LA LAND. Photo credit by Dale Robinette.

Raymond’s top five films of 2016

Raymond Maspons
  •  
Jan. 12, 2017
"Here's lookin' at you, kid." Bogie and Bergman.

This Weekend: ‘Casablanca,’ ‘To Be Or Not To Be’ at the Stanford

Carlos Valladares
  •  
Jan. 11, 2017
Amy Adams (right) as Louise Banks in ARRIVAL by Paramount Pictures.

Olivia Popp’s top five films of 2016

Olivia Popp
  •  
Jan. 11, 2017
Natalie Portman as "Jackie Kennedy" in JACKIE. Photo by Stephanie Branchu. © 2016 Twentieth Century Fox Film Corporation All Rights Reserved.

Amir Abou-Jaoude’s top five films of 2016

Amir Abou-Jaoude
  •  
Jan. 10, 2017
(l-r) Alex Hibbert and Mahershala Ali in Barry Jenkins's MOONLIGHT, which won three Oscars last night, including Best Picture. Photo: David Bornfriend, A24.

Rey Barcelo’s top five films of 2016

Rey Barceló
  •  
Jan. 10, 2017
Short Sighted Women (Rachel Weisz) and David (Colin Farrell) in a scene from the film THE LOBSTER by Director Yorgos Lanthimos. Courtesy of Mongrel Media.

Elaine Kim’s top five films of 2016

Elaine Kim
  •  
Jan. 10, 2017
A girl meets her crush in "Only Yesterday", a 1991 Studio Ghibli anime by Isao Takahata, and Carlos Valladares' favorite theatrical film from 2016. (Courtesy of G Kids)

The Fave 15: Carlos’ top movies of 2016

Carlos Valladares
  •  
Jan. 8, 2017
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This Weekend: Debbie Reynolds double feature at the Stanford

Carlos Valladares
  •  
Jan. 5, 2017
Kelly Reichardt on the set of her latest film "Certain Women," which she adapted, directed, and edited. ((Photo: Jojo Whilden, IFC Films)

Interview: Kelly Reichardt talks “Certain Women” — Akerman, Ahwesh, Gladstone

Carlos Valladares
  •  
Jan. 1, 2017
The Stanford Daily

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