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Film

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At the Stanford: Two rare Lubitsch silents

Carlos Valladares
  •  
Jan. 19, 2017
Natalie Portman as "Jackie Kennedy" in JACKIE. Photo by Pablo Larraín. © 2016 Twentieth Century Fox Film Corporation All Rights Reserved

Natalie Portman keeps the uneven ‘Jackie’ grounded

Amir Abou-Jaoude
  •  
Jan. 19, 2017
Left to right: Sandra Hüller as Ines and Peter Simonischek as Winfried @ Komplizen Film, Courtesy of Sony Pictures Classics

‘Toni Erdmann’ is as hilarious as it is horrifying

Rey Barceló
  •  
Jan. 18, 2017
(l-r) Carole Lombard and Jack Benny in Ernst Lubitsch's sparkling anti-Nazi comedy "To Be Or Not to Be". (Courtesy of Janus Films).

Stanford Theatre schedule, Jan. 17-22

Carlos Valladares
  •  
Jan. 17, 2017
Conor (Lewis MacDougall) confronts the Monster (Liam Neeson) in J.A. Bayona’s drama A MONSTER CALLS. Photo credit : Focus Features.

‘A Monster Calls’ delivers real terror and truth

Allen Wu
  •  
Jan. 13, 2017
Mia (Emma Stone) and Sebastian (Ryan Gosling) in LA LA LAND. Photo credit by Dale Robinette.

Raymond’s top five films of 2016

Raymond Maspons
  •  
Jan. 12, 2017
"Here's lookin' at you, kid." Bogie and Bergman.

This Weekend: ‘Casablanca,’ ‘To Be Or Not To Be’ at the Stanford

Carlos Valladares
  •  
Jan. 11, 2017
Amy Adams (right) as Louise Banks in ARRIVAL by Paramount Pictures.

Olivia Popp’s top five films of 2016

Olivia Popp
  •  
Jan. 11, 2017
Natalie Portman as "Jackie Kennedy" in JACKIE. Photo by Stephanie Branchu. © 2016 Twentieth Century Fox Film Corporation All Rights Reserved.

Amir Abou-Jaoude’s top five films of 2016

Amir Abou-Jaoude
  •  
Jan. 10, 2017
(l-r) Alex Hibbert and Mahershala Ali in Barry Jenkins's MOONLIGHT, which won three Oscars last night, including Best Picture. Photo: David Bornfriend, A24.

Rey Barcelo’s top five films of 2016

Rey Barceló
  •  
Jan. 10, 2017
Short Sighted Women (Rachel Weisz) and David (Colin Farrell) in a scene from the film THE LOBSTER by Director Yorgos Lanthimos. Courtesy of Mongrel Media.

Elaine Kim’s top five films of 2016

Elaine Kim
  •  
Jan. 10, 2017
A girl meets her crush in "Only Yesterday", a 1991 Studio Ghibli anime by Isao Takahata, and Carlos Valladares' favorite theatrical film from 2016. (Courtesy of G Kids)

The Fave 15: Carlos’ top movies of 2016

Carlos Valladares
  •  
Jan. 8, 2017
debbiereynolds

This Weekend: Debbie Reynolds double feature at the Stanford

Carlos Valladares
  •  
Jan. 5, 2017
Kelly Reichardt on the set of her latest film "Certain Women," which she adapted, directed, and edited. ((Photo: Jojo Whilden, IFC Films)

Interview: Kelly Reichardt talks “Certain Women” — Akerman, Ahwesh, Gladstone

Carlos Valladares
  •  
Jan. 1, 2017
Ryan Gosling and Emma Stone on a date night along the Colorado Street Bridge in Pasadena in "La La Land," the new musical by Damien Chazelle. (Photo: Dale Robinette, Lionsgate.)

Southeast of Eden: An Angeleno’s take on Damien Chazelle’s ‘La La Land’

Carlos Valladares
  •  
Dec. 18, 2016
Our "Moana" heroes! Courtesy of Walt Disney Pictures.

Film review: Masterful ‘Moana’ defies the Disney formula

Elaine Kim
  •  
Dec. 1, 2016
Brad Pitt and Marion Cotillard in 'Allied'. Courtesy of Paramount Pictures.

“Casa-Bland-Ca”: Robert Zemeckis’s hoary, indulgent “Allied”

Elaine Kim
  •  
Nov. 30, 2016
Amy Adams (right) as Louise Banks in ARRIVAL (Courtesy of Paramount Pictures)

Jóhann Jóhannson’s score for ‘Arrival’ proves that film scores need not be background

Jacob Kuppermann
  •  
Nov. 30, 2016
Amy Adams in Tom Ford’s NOCTURNAL ANIMALS. Courtesy of Merrick Morton / Focus Features.

‘Nocturnal Animals’ is more than than the sum of its stylish parts

Raymond Maspons
  •  
Nov. 29, 2016
Hailee Steinfeld in "The Edge of Seventeen". Courtesy of STX Productions.

Interview: ‘Edge of Seventeen’ star Hailee Steinfeld on the art of acting, singing, growing up

Olivia Popp
  •  
Nov. 24, 2016
The Stanford Daily

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