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Music

Arts & Life
Stanford Daily graphic of Madame Gandhi

Madame Gandhi M.A. ’22, former drummer for M.I.A., pushes for the ethical consumption of music

Betty He
  •  
June 1, 2022
Arts & Life
Says "Staff Playlist" next to a red Spotify logo over the words "The Stanford Daily"

The Daily takes the aux: May music staff picks

Vanessa Chen, Richard Coca, Kyla Figueroa, Chloe Anne Walsh, Zach Zafran, Brandon Rupp, Nick Sligh, Michelle Fu, Kristofer Nino, Andrew Gerges, Vivian Wang, Malia Mendez, Kirsten Mettler and Aditeya Shukla
  •  
May 31, 2022
Arts & Life
Kevin Martin stands under a lamp post as he looks downward

‘When The Dust Settles’: 4 years in the making, but just the beginning for Kevin Martin ’22

Eric Zhu
  •  
May 31, 2022
Arts & Life
A speaker with the words "AAPI HERITAGE MONTH in listening" emanates sound waves with pictures of artists such as Olivia Rodrigo and Conan Gray

Asian American and Pacific Islander Heritage Month: Music recommendations

Kyla Figueroa, Nick Sligh, Peyton Lee, Ryan Loo, Richard Coca and Chloe Anne Walsh
  •  
May 29, 2022
Music
Danny Ritz performs at the arbor, singing into the microphone

Danny Ritz’s ’23 ‘Remedy’ marries production and poetics

Malia Mendez
  •  
May 29, 2022
Music
Purple graphic with album cover of "Labyrinthitis," depicting a watercolor drawing of people sitting in a tree. Text reads: "Beandon's Musical Corner: Labyrinthitis, Destroyer"

Beandon’s Musical Corner: ‘Labyrinthitis’ by Destroyer

Brandon Rupp
  •  
May 26, 2022
Music
Stanford Daily graphic for New Music with Nick's edition on Kendrick Lamar

New Music with Nick: ‘Mr. Morale & The Big Steppers’ by Kendrick Lamar

Nick Sligh
  •  
May 25, 2022
Music
The Dip performing on stage bathed in a red spotlight

The Dip brings soul and funk to The Guild Theater

Richard Coca
  •  
May 25, 2022
Music
A yellow house with a stylized Harry Styles standing out front sits in a field of flowers.

‘Harry’s House’ is a charming, stylish exploration of romance that lacks in lyricism

Victoria Hsieh
  •  
May 24, 2022
Multimedia
0E08EC0A-8E0B-4370-9963-55799F8FD9A8

Photo gallery: Aminé, Victoria Monét, Tkay Maidza perform at Frostfest

Ananya Navale and Crystal Chen
  •  
May 24, 2022
Arts & Life
Stanford Daily graphic for the column Im with the band volume on David Bowie.

I’m With The Band: David Bowie

Chloe Anne Walsh
  •  
May 23, 2022
Music
Amine performs in front of a screen with a 3D sign of him to a crowd

Aminé amazes at Frost Festival 2022

Sarayu Pai
  •  
May 22, 2022
Arts & Life
Silhouettes of audience members sit in front of two O-tone singers bathed in a purple and orange light. The two singers solo with microphones in front of the rest of the group.

O-Tone is right on beat

Cameron Duran
  •  
May 19, 2022
Arts & Life
Stanford Symphony Orchestra and Stanford Symphonic Chorus perform on the sunken stage of the packed Bing auditorium

Stanford Symphony Orchestra delivers rejuvenating performance of Mahler’s ‘Resurrection’

Linda Liu
  •  
May 16, 2022
Arts & Life
YG performing at Frost Amphitheater as the headliner for Blackfest

YG rouses campus as Blackfest makes its long-awaited return

Ryan Loo
  •  
May 15, 2022
Arts & Life
Stanford Daily graphic for Slept On Songs column on Legwurk

Slept on Songs: Legwurk

Aditeya Shukla
  •  
May 11, 2022
Arts & Life
Stanford Daily graphic for Im with the band featuring Pink Floyd

I’m With The Band: Pink Floyd

Chloe Anne Walsh
  •  
May 10, 2022
Music
Stanford Daily graphic for Beandon's Musical Corner: Diaspora Problems by Soul Glo

Beandon’s Musical Corner: ‘Diaspora Problems’ by Soul Glo

Brandon Rupp
  •  
May 9, 2022
Arts & Life
Stanford Taiko performers pointing their sticks to the sky while performing at Bing Concert Hall

Stanford Taiko celebrates 30th anniversary with master Kenny Endo

Ujwal Srivastava
  •  
May 8, 2022
Arts & Life
The Bee Gees, in black in white, on top of a pastel green background with the text "i'm with THE BAND." From top to bottom, Barry, Robin and Maurice Gibb sit, smiling.

I’m With The Band: The Bee Gees

Chloe Anne Walsh
  •  
May 8, 2022
The Stanford Daily

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