Sunday, February 22nd, 2026
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Arts & Life

Screen
Boy holding camera with image of man holding camera in lens.

‘Rear Window’ exemplifies a brilliantly crafted thriller

Mason Barrett
  •  
March 3
Culture
Photo from the Asian American Theater Project’s winter mainstage production.

‘yellow roses, mãi mãi’ provides food for thought on Vietnamese American family dynamics

Dan Kubota
  •  
March 2
Music
In the first installment of her column “Little Brother’s Music Recs”, Audrey Hunter ’28 reviews Clap Your Hands Say Yeah’s self-titled album, her little brother’s current favorite. (Graphic: DA-HEE KIM/The Stanford Daily)

Little Brother’s Music Recs: Slander and soundwaves

Audrey Hunter
  •  
Feb. 27
Culture
Men in tuxedos and women in white gowns dance at the Viennese Ball.

Dancing the night away at the 47th Annual Viennese Ball

Dan Kubota
  •  
Feb. 27
Reads
Two hands hold open a book with the words "Rage on the Page" sprawled in it in black and red.

Rage on the Page: ‘Soft Core’ by Brittany Newell, a fever dream of longing and loss

Melisa Ezgi Guleryuz
  •  
Feb. 26
Music
A graphic of beandon sitting in a beanbag listening to music with the text "2024 Top 10 Albums".

Beandon’s Musical Corner: Top 10 Albums of 2024

Brandon Rupp
  •  
Feb. 26
Culture
Gabriella Montez in High School Musical 3.

Stanford in the Media: Gabriella Montez and High School Musical 3

Emma Muller
  •  
Feb. 26
Culture
Photo of professor and host Russ Altman in Stanford Engineering’s “The Future of Everything” podcast.

‘The Future of Everything’ podcast makes science more relatable

Catherine Wu
  •  
Feb. 25
Culture
Memchu photo by Da-hee Kim.

Death of the Masterpiece: Bury your Shakespeare

Istaara Amjad
  •  
Feb. 24
Culture
Stanford Fashion X's third show held at Memorial Church

FashionX Runway transports audience from past to future

Joyce Chen
  •  
Feb. 24
Culture
Photo of Moonrise by the Sea painting by Caspar David Friedrich

What Caspar David Friedrich can teach us about waiting

Weili Jin
  •  
Feb. 24
Reads
Ellen Bryant Voigt speaks in front of a crowd during her Lane Lecture Series poetry reading (RAYLENE ZAMORA/THE STANFORD DAILY).

Ellen Bryant Voigt discusses poetry, craft and teaching at Lane Lecture Series

Raylene Zamora
  •  
Feb. 23
Culture
Graphic for Chetanya Pandey's '27 column, exploring how making small food choices can save the planet — and your taste buds.

Edible Ethos: Making your next meal sustainable

Chetanya Pandey
  •  
Feb. 23
Screen
A strip of film with reverse signs printed on it

Second Take: ‘The Winter Soldier’ tackles American democracy and security

Sebastian Strawser
  •  
Feb. 20, 2025
Screen
Sterling K. Brown smiling at a VidCon panel

‘Paradise’ is a world stranger than reality

Blyss Cleveland
  •  
Feb. 20, 2025
Music
In his first column installment, Rishi Jeyamurthy ’28 breaks down the complexities of record contracts. ((Graphic: DA-HEE KIM/The Stanford Daily)

Mainstream & Margins: A conversational guide to record deals

Rishi Jeyamurthy
  •  
Feb. 19, 2025
Culture
Graphic of Chuer Yang's '27 column exploring internet rabbit holes.

Traveler, Your (Digital) Footprints: Meeting dr. T and Antonio Machado

Chuer Yang
  •  
Feb. 19, 2025
Music
Picture of lights that spell "Live Music" with a downwards arrow. The "Live" is blue and the "Music" is red.

Farm fresh jazz (notes from a saxophonist): Kairos recap & SJO preview

Penelope Keep
  •  
Feb. 18, 2025
Screen
In his column “How About Now,” Mason Barrett ’28 reviews classic films through a modern lens.

‘It’s a Wonderful Life’ (1946) is an exceptional story with a complex protagonist

Mason Barrett
  •  
Feb. 17, 2025
Culture
Graphic for Ellaheh Gohari's '28 column on tropes in film and media.

Trope-Tastic: Embrace the villainous virtuoso

Ellaheh Gohari
  •  
Feb. 16, 2025
The Stanford Daily

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