Sunday, February 22nd, 2026
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Arts & Life

Screen
A movie director's sign with gender symbols on it with text "HER POV."

Her POV: ‘On Becoming a Guinea Fowl’ calls to speak ill of the living before they die

Blyss Cleveland
  •  
April 21
Screen
Images of several individuals on a virtual panel are bordered with the title "Seen on the Screen".

‘Seen on the Screen’ podcast proves there’s no one true path in entertainment

Grace Zhao
  •  
April 20
Reads
An illustrated golden bird stands in front of a black background

‘Sunrise on the Reaping’: Collins offers food for thought without finesse

Kayla Chan
  •  
April 17
Music
Healthcare workers sit around a table

Finding harmony in healthcare: How music heals providers and patients alike

Casey Greene
  •  
April 15
Music
Rachel Platten at the Peppermint Club

Rachel Platten delivers for an intimate, yet mighty crowd

Madisyn Cunningham
  •  
April 15
Reads
A man stands next to a television screen that displays a presentation, looking down at a piece of paper.

Stuart H. Goldberg discusses the sincere voice in Russian poetry

Kayla Chan
  •  
April 14
Music
A crowd cheers as an artist performs on stage at Frost Amphitheater.

Review: Doechii lights up Frost Amphitheater at Frost Fest 2025

Erin Ye
  •  
April 14
Screen
“Drop” is an entertaining watch that strikes a healthy balance between dread and humor, writes Cunningham. (Graphic: DA-HEE KIM/The Stanford Daily)

Universal Pictures starts the year in thrilling fashion with ‘Drop’

Madisyn Cunningham
  •  
April 13
Reads
A man in a suit stands in front of a large computer screen. He is holding a book.

‘Info We Trust’ book launch: R.J. Andrews dissects the art of data visualization

Kayla Chan
  •  
April 9
Reads
Two hands hold open a book with the words "Rage on the Page" sprawled in it in black and red.

Rage on the Page: ‘The New Me’ by Halle Butler — a bleak, brilliant burnout of a novel

Melisa Ezgi Guleryuz
  •  
April 9
Screen
A boy is holding a camera with an image of a gunslinger in the lens.

‘For a Few Dollars More’ (1965) surpasses its predecessor

Mason Barrett
  •  
April 8
Culture
Memchu photo by Da-hee Kim.

Death of the Masterpiece: Everything is beautiful

Istaara Amjad
  •  
April 8
Reads
Illustration of the "Dream Count" book on a teal background.

Adichie’s long-awaited ‘Dream Count’ leaves voids instead of dreams

Cate Burtner
  •  
April 7
Screen
Man looks to his left.

‘Again, Time’: Ben Russell meditates on the cinematic medium

Alexandra Blum
  •  
April 7
Screen
A movie director's sign with gender symbols on it with text "HER POV."

Her POV: Spotlighting landmark independent films directed by Black women

Blyss Cleveland
  •  
April 3
Screen
A toy monkey is smiling eerily in the shadows.

The Monkey Review: Horror, humor and the drumbeat of doom

Zora Hudson
  •  
April 2
Reads
cut outs from newspapers form a human silhouette behind the title of the column "Brutal Monsters"

‘Alone With You in the Ether’ is a fantasy of unrealism

Cate Burtner
  •  
April 2
Reads
Exterior of Mariposa House

Q&A: Keith Ekiss discusses writer ecosystems and Poet’s House

Kayla Chan
  •  
April 1
Film
A mirror reflects a standing camera.

Behind the scenes of a 48-hour film competition

Paolo Ferreira Reitz
  •  
March 31
Culture
Photo of Olivier van Deuren’s A Young Astronomer, painted around 1685, is in the collection of The National Gallery, London.

The intimate Dutch portrait that poses galactic questions

Weili Jin
  •  
March 30
The Stanford Daily

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