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Wednesday, March 18th, 2026
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Arts & Life
Reads
Rage on the Page: Survival as scripture in ‘The Unworthy’
Melisa Ezgi Guleryuz
•
May 28
Screen
‘Summer of 69’ says: Forget the guy — make a friend instead
Blyss Cleveland
•
May 27
Music
Meet Richard Yuan ’25: A student-musician chasing big dreams
Dan Kubota
•
May 26
Reads
Jonathan Buckley’s ‘One Boat’ blends grief and self-discovery
Leyla Yilmaz
•
May 25
Culture
What does mental health mean to The Daily?
Allie Skalnik
,
Chloe Shannon Wong
,
Madisyn Cunningham
,
Grace Zhao
and
Blyss Cleveland
•
May 22
Culture
Edible Ethos: Is this aioli vegan?
Chetanya Pandey
•
May 21
Culture
Death of the Masterpiece | This essay could be gone tomorrow
Istaara Amjad
•
May 20
Culture
Bronzino paints a requiem for a young girl
Weili Jin
•
May 19
Screen
Desi Deep Dives | Bollywood fashion from the early 2000s
Siri Atluri
•
May 18
Reads
‘Great Big Beautiful Life’ weighs truth versus facts, but skips out on character growth
Blyss Cleveland
•
May 15
Film
Our favorite depictions of motherhood on screen
Charlotte Burks
,
Ellaheh Gohari
,
Grace Zhao
,
Kelly Wang
,
Yinlin Zhao
and
Blyss Cleveland
•
May 14
Culture
Artificial Imagination: Can ChatGPT tell our stories?
Joyce Chen
•
May 13
Film
‘Remember what has been dismembered’: Congolese voices at Environmental Justice Film Festival
Riley Casagrande
•
May 13
Reads
Rage on the Page: Unfunny women and other lies in ‘Sorrow and Bliss’
Melisa Ezgi Guleryuz
•
May 12
Reads
‘My Life At the Movies’: Rachel Kushner explores cultural authority and the influence of film
Zora Hudson
•
May 11
Screen
The Stanford Scene: West Mulholland ’27 balances stardom and Stanford
Paolo Ferreira Reitz
•
May 8
Reads
Listicle: What’s Stanford reading?
Allie Skalnik
,
Ellaheh Gohari
,
Blyss Cleveland
,
Hana Dao
,
Kelly Wang
,
Miriam Awan
,
Melisa Ezgi Guleryuz
and
Cate Burtner
•
May 7
Music
Mainstream & Margins: Why music royalties are still broken — and what might fix them
Rishi Jeyamurthy
•
May 6
Music
Gaga goes back to basics amidst ‘MAYHEM’
Allie Skalnik
•
May 5
Screen
Her POV: ‘Actual People’ chooses to lose post-grad blues
Blyss Cleveland
•
May 4
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