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Arts & Life
Meg Remy’s ‘Begin by Telling’ crafts a landscape of trauma and storytelling
Lily Nilipour
•
April 19, 2021
Arts & Life
‘I’m just playing with clay’: Victoria Chang on poetry and language
Lily Nilipour
•
April 18, 2021
Arts & Life
Emily Layden ’11 discusses the importance of the feminine perspective in literature
Jed Ngalande
•
April 15, 2021
Arts & Life
The American people still hold the greatest amount of power, says founder of Citizen University
Jed Ngalande
•
April 8, 2021
Arts & Life
Sundays with the Other Grandmother
Carolyn Stein
•
April 6, 2021
Arts & Life
The Vase Broke Any Way
Ben Schwartz
•
April 5, 2021
Arts & Life
ODE TO MY KINDLE
Nick Lai
•
April 4, 2021
Arts & Life
eavesdrop
Sophia Boyd-Fliegel
•
April 3, 2021
Arts & Life
Camille Monet On Her Deathbed, 1879
Carolyn Stein
•
April 1, 2021
Arts & Life
‘Firmament No. 1’: A promising new literary magazine from Sublunary Editions
Lily Nilipour
•
March 29, 2021
Books for Women’s History Month
Jared Klegar
,
Lana Tleimat
,
Lily Nilipour
,
Kyla Figueroa
and
Kirsten Mettler
•
March 16, 2021
On her debut novel ‘All Girls’: Interview with Emily Layden ’11
Ellie Wong
•
March 15, 2021
Emily Layden’s ‘All Girls’ tackles growing up, sexual assault and privilege
Kyla Figueroa
•
March 14, 2021
Classics for quarantine: Reading in Michel de Montaigne’s ‘Essays’
Lily Nilipour
•
March 10, 2021
‘In Conversation with the Inaugural Poem’ looks toward the future of the US while reflecting on its past
Anuka Mohanpuhr
•
March 7, 2021
Classics for quarantine: Immobility in ‘Molloy’
Lily Nilipour
•
March 3, 2021
An intimate Stegner Fellows reading with Jim Whiteside and F.T. Kola
Ellie Wong
•
March 1, 2021
Sara Davis’ ‘The Scapegoat’: A Lynchian mystery set at Stanford
Carly Taylor
•
Feb. 25, 2021
Classics for quarantine: Duration in ‘Love in the Time of Cholera’
Lily Nilipour
•
Feb. 24, 2021
History, family and paint colors in Stegner Fellow Claire Meuschke’s ‘Upend’
Jaehyeon Park
•
Feb. 23, 2021
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