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Reviews
Treasure Island Music Festival features a variety of awesome acts
Dylan Grosz
•
Nov. 9, 2018
Speculative Fiction: the suspension of disbelief in “humanized” characters
Shana E. Hadi
•
Nov. 8, 2018
“The Kindergarten Teacher” challenges audiences
Juan Fueyo-Gomez
•
Nov. 7, 2018
Noname finds identity on sophomore album ‘Room 25’
Caroline Hallee
•
Nov. 5, 2018
‘Cardboard Piano’ crafts a beautiful queer tragedy
Olivia Popp
•
Nov. 5, 2018
Dream deferred? TAPS + BLACKstage’s “A Raisin in the Sun” is a dream fulfilled
Chloe Wintersteen
•
Nov. 1, 2018
Culture and the occult: Eerie reads for Halloweek
Claire Francis
•
Nov. 1, 2018
Arts & Life
Bewitching Halloween reads
Arts & Life Reads beat writers
,
Sofia Schlozman
,
Olivia Manes
,
Carly Taylor
,
Scott Stevens
,
Mark York
and
Shana E. Hadi
•
Oct. 31, 2018
‘Maniac’ considers the mysteries of the mind
Emilia Diaz-Magaloni
•
Oct. 31, 2018
‘The Haunting of Hill House’ combines scares with compelling characters
Kaycee Branche
•
Oct. 30, 2018
Andy Warhol in our minds and in photographic film
Chasity Hale
•
Oct. 29, 2018
Young Thug’s ‘On the Rvn’ is tremendous trap music
Christina Macintosh
•
Oct. 29, 2018
‘You Mean to Do Me Harm’ challenges bias and perception at SF Playhouse
Olivia Popp
•
Oct. 29, 2018
Puccini’s ‘Tosca’ is melodramatic and moving
Amir Abou-Jaoude
•
Oct. 25, 2018
‘Romeo and Juliet’ Is NOT a Love Story: CHANGE MY MIND!
Mark York
•
Oct. 25, 2018
“Studio 54” is a study of an (in)famous 70s nightclub
Simone Zhu
•
Oct. 24, 2018
‘Reader, Come Home’ discusses the difficulty of staying literate
Scott Stevens
•
Oct. 24, 2018
Dietrich is an extraordinary actress in ‘The Scarlet Empress’
Amir Abou-Jaoude
•
Oct. 23, 2018
‘2001: A Space Odyssey’ is a bizarre, epic journey
Noah Howard
•
Oct. 22, 2018
Drake combines success with social media spectacle
Jacob Kuppermann
•
Oct. 22, 2018
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