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Reviews

(SAMANTHA WONG/The Stanford Daily)

The crew of Cru, part 2

Samantha Wong
  •  
May 10, 2018
Emma Stone in Damien Chazelle's "La La Land." (Courtesy of Lionsgate)

Recs from the Vault: The best new films I saw in theaters

Carlos Valladares
  •  
May 10, 2018
cardinal-red-daily-s-logo

‘Gringo’ is a confounding comedy

Zak Sharif
  •  
May 10, 2018
Andrew Beckman '17 and Nate Gruver '18 in the kitchen. (SAMANTHA WONG/The Stanford Daily)

The crew of Cru: part 1

Samantha Wong
  •  
May 8, 2018
Courtesy of Isabel Baer

Taverna opens its doors in downtown Palo Alto

Blake Sharp
  •  
May 8, 2018
Courtesy of Warner Bros. Pictures

‘Rampage,’ the giant monster movie, is a colossal failure

Noah Howard
  •  
May 8, 2018
cardinal-red-daily-s-logo

Blackfest 2018 brings together 2 Chainz, Dreezy in raucous fun

Jacob Kuppermann
  •  
May 7, 2018
Marion Cotillard and Charlotte Gainsbourg in the movie "Ismael's Ghosts." (JEAN-CLAUDE LOTHER/Magnolia Pictures)

Desplechin’s ‘Ismael’s Ghosts’ succumbs to melodramatic clichés

Amir Abou-Jaoude
  •  
May 7, 2018
(Ben Sorensen/The Stanford Daily)

EAGLEBABEL’s newly-remastered EPs are a reminder of his talent

Jacob Nierenberg
  •  
May 3, 2018
(CHRIS WANG/The Stanford Daily)

Battle of the salads: Tender Greens vs. Sweetgreen Palo Alto

Chris Wang
  •  
April 30, 2018
OLIVIA POPP/The Stanford Daily

Third annual Silicon Valley Comic Con bridges technology and pop culture

Olivia Popp
  •  
April 30, 2018
No one can resist Bette Davis eyes — except Olivia de Havilland, who sees right through Bad Bette — in the ultra-lit John Huston melodrama "In This Our Life." (Photo: Warner Bros/1942)

Recs from the Vault: “In This Our Life,” “Meet Me in St. Louis,” “McCabe & Mrs. Miller”

Carlos Valladares
  •  
April 26, 2018
Tristan Frey (Joe Estlack) and Connie Hall (Ayelet Firstenberg) get to know one another in “The Effect” at San Francisco Playhouse. (Courtesy of Jessica Palopoli)

‘The Effect’ is an empathetic, contemporary cyberpunk exploration of love and science

Olivia Popp
  •  
April 24, 2018
(BLAKE SHARP/The Stanford Daily)

Finally, a definitive ranking of Lemonade’s lemonades

Blake Sharp
  •  
April 22, 2018
A promo photo after the season three hiatus of "Supergirl." (Courtesy of The CW)

Three seasons in, The CW’s ‘Supergirl’ still doesn’t know what it wants

Olivia Popp
  •  
April 20, 2018
An elegantly plated dish at Protégé (CHRIS WANG/The Stanford Daily)

Protégé quietly opens on Cal Ave — but is this one restaurant or two?

Chris Wang
  •  
April 16, 2018
Allison F. Rich as Mrs. Lovett and Noel Anthony as Sweeney Todd in the San Jose Stage Company’s production of "Sweeney Todd." (Courtesy of Dave Lepori)

San Jose Stage Company’s ‘Sweeney Todd’ is a demonic, tormented masterpiece

Olivia Popp
  •  
April 15, 2018
(Left to right) Pete Townshend of The Who and Elton John is the Pinball Wizard in Ken Russell's "Tommy" (1975). (Courtesy of Columbia Pictures)

Recs from the Vault: ‘Tommy,’ ‘The Verdict,’ ‘Canoa,’ ‘The Bride Wore Black,’ ‘Pretty Poison’

Carlos Valladares
  •  
April 12, 2018
"So Romantic" by Abigail Goldman. (CHLOE BARREAU/The Stanford Daily)

The haunting and the humorous: an exhibition of dioramas in Palo Alto

Chloe Barreau
  •  
April 11, 2018
killa bites

Killa Bites: The hunt for the perfect chocolate chip cookie on campus

Blake Sharp
  •  
April 8, 2018
The Stanford Daily

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