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Reviews

Stegner Fellow Richie Hofmann. (Courtesy of Joe Hofmann Photography)

February’s Stegner Reading: The millennial brilliance of Richie Hofmann and Darri Farr

Claire Thompson
  •  
Feb. 13, 2018
(Courtesy of Frank Chen)

‘The Last Five Years’: A gorgeously staged musical about falling in and out of love

Chasity Hale
  •  
Feb. 12, 2018
BILL EBBESEN/Wikimedia Commons

Poet’s work: Destroyer brings wry, thoughtful indie rock to the Fillmore

Nick Burns
  •  
Feb. 11, 2018
Right to left: Forrest Goodluck, Sasha Lane and Chloë Grace Moretz in "The Miseducation of Cameron Post." (Courtesy of Sundance Institute)

Sundance 2018, part 6: Olivia Popp’s favorite (and award-winning) films

Olivia Popp
  •  
Feb. 9, 2018
Courtesy of the Library of Congress

The ugly and the glorified: Fitzgerald in retrospect

Claire Francis
  •  
Feb. 6, 2018
Pharrell Performing With N.E.R.D in 2010 (Courtesy of Wikimedia Commons)

NO_ONE EVER REALLY DIES: When a great album overstays its welcome

Hamza Ali Zahurullah
  •  
Feb. 6, 2018
Courtesy of Narcissister

Sundance 2018, part 4: Exploring the nontraditional

Olivia Popp
  •  
Feb. 5, 2018
Jen (Matilda Lutz) seeks vengeance for her rape in "Revenge." (Courtesy of Rezo Films)

Sundance 2018, part 3: The Festival’s darkest films, reviewed

Olivia Popp
  •  
Feb. 3, 2018
A film still from "Hale County This Morning, This Evening" by RaMell Ross, an official selection of the U.S. Documentary Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Insitute | photo by IDIOM Film/RaMell Ross.

Sundance 2018, part 2: Valladares’ take on ‘Hale County,’ ‘You Were Never Really Here,’ ‘Leave No Trace’

Carlos Valladares
  •  
Jan. 31, 2018
SCOTT ROTH/Shutterstock

The 2018 Sundance Film Festival, part 1

Sabrina Medler
  •  
Jan. 30, 2018
Arts & Life
Daisy Ridley as Rey in "The Last Jedi." (DAVID JAMES/Lucasfilm Ltd.)

Movies in Conversation: ‘The Last Jedi’

Elaine Kim and Isaac Vaught
  •  
Jan. 25, 2018
NINA CORCORAN/Flickr

Moses Sumney’s ‘Aromanticism’ is a dreamy reflection on lovelessness

Jacob Nierenberg
  •  
Jan. 25, 2018
CRAIG ONEAL/Wikimedia Commons

Tree-Mix, Volume 6: Old, but new to you

Arts & Life Music Beat writers
  •  
Jan. 22, 2018
Courtesy of Phil Kidd

The Original Winter One Acts 2018 beautifully ponders the human condition

Mell Chhoy
  •  
Jan. 22, 2018
John Howard, Cary Grant, Katharine Hepburn and James Stewart in 'The Philadelphia Story.' (DEEMS TAYLOR/Wikimedia Commons)

George Cukor’s 1940 film ‘The Philadelphia Story’ delights audiences, even today

Amir Abou-Jaoude
  •  
Jan. 19, 2018
Christopher Plummer as J. Paul Getty in "All the Money in the World." (Courtesy of TriStar Pictures)

Christopher Plummer shines in Ridley Scott’s ‘All the Money in the World’

Amir Abou-Jaoude
  •  
Jan. 18, 2018
Björk on an acoustic tour. (SANTIAGO FELIPE/Wikimedia Commons)

Björk’s ‘Utopia’ is full of love

Jacob Nierenberg
  •  
Jan. 16, 2018
Hong Chau and Matt Damon in 'Downsizing.' (Courtesy of Paramount Pictures)

‘Downsizing’ needs to shrink to fit its narrative

Noah Howard
  •  
Jan. 16, 2018
Courtesy of SFFILM

‘The Green Fog’ is a dizzying Hitchcock homage

Rey Barceló
  •  
Jan. 16, 2018
Courtesy of The Come Up Show

Wind down with Daniel Caesar’s debut album ‘Freudian’

Nivedha Soundappan
  •  
Jan. 16, 2018
The Stanford Daily

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