Sunday, November 17th, 2024

Reviews

Best hip-hop/rap albums of the 2nd quarter of 2020 (April-June)

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June 24, 2020

Norwegian artist Aurora Aksnes is a muse for the electro-dark pop generation

Kamilah Arteaga

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May 20, 2020

‘The Show Must Go On[line]’: Revisiting childhood favorites in musical theater during the pandemic

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April 19, 2020

Stanford Medicine’s ‘Stuck@Home’ series closes the distance between medicine and art despite social distancing

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April 8, 2020

Childish Gambino’s ‘3.15.20’ is an almost-algorhythmic musical masterpiece

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March 26, 2020

Del Sol Quartet, Francisco Fullana enliven Bay Area with ‘socially distanced’ music

Natalie Francis

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March 23, 2020

Top 100 hip-hop/rap albums of the 2010s: #10-1

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March 18, 2020

Top 100 hip-hop/rap albums of the 2010s: #20-11

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March 12, 2020

Palm Drive Records’ Music @ Mars gives indie musicians the mic

Megan Faircloth

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March 6, 2020

Top 100 hip-hop/rap albums of the 2010s: #30-21

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March 4, 2020

Astrology app gives Stanford’s Mixed Co love advice in ‘Love Sucks’

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Feb. 25, 2020

Top 100 hip-hop/rap albums of the 2010s: #50-41

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Feb. 19, 2020

1917, the Great War and Brexit

Altair Brandon-Salmon

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Feb. 13, 2020

Top 100 hip-hop/rap albums of the 2010s: #60-51

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Feb. 12, 2020

Knife Wife’s ‘Family Party’ punk is weird and wonderful

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Feb. 10, 2020

Sundance 2020, part 1: St. Vincent’s ‘The Nowhere Inn’ is fan-service, but who’s complaining?

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Feb. 5, 2020

Top 100 hip-hop/rap albums of the 2010s: #80-71

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Jan. 29, 2020

Top 100 hip-hop/rap albums of the 2010s: #90-81

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Jan. 22, 2020

‘Little Women’ (2019) excels in the eyes of the artiste

Natalie Francis

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Jan. 21, 2020

Top 100 hip-hop/rap albums of the 2010s: #100-91

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Jan. 15, 2020