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Images of several individuals on a virtual panel are bordered with the title "Seen on the Screen".

‘Seen on the Screen’ podcast proves there’s no one true path in entertainment

Grace Zhao
  •  
April 20
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“Drop” is an entertaining watch that strikes a healthy balance between dread and humor, writes Cunningham. (Graphic: DA-HEE KIM/The Stanford Daily)

Universal Pictures starts the year in thrilling fashion with ‘Drop’

Madisyn Cunningham
  •  
April 13
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A boy is holding a camera with an image of a gunslinger in the lens.

‘For a Few Dollars More’ (1965) surpasses its predecessor

Mason Barrett
  •  
April 8
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Man looks to his left.

‘Again, Time’: Ben Russell meditates on the cinematic medium

Alexandra Blum
  •  
April 7
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A movie director's sign with gender symbols on it with text "HER POV."

Her POV: Spotlighting landmark independent films directed by Black women

Blyss Cleveland
  •  
April 3
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A toy monkey is smiling eerily in the shadows.

The Monkey Review: Horror, humor and the drumbeat of doom

Zora Hudson
  •  
April 2
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Man smiling with pink triangles behind him.

Second Take: ‘Milk’ highlights gay hope and humanity

Sebastian Strawser
  •  
March 6
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Despite a rushed second season, "Arcane" pushes the genre of animation forward with groundbreaking artistry and creativity. (Graphic by Da-Hee Kim)

‘Arcane’ season 2: A new era of adult animation

Sara Alanis Morales
  •  
March 3
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Boy holding camera with image of man holding camera in lens.

‘Rear Window’ exemplifies a brilliantly crafted thriller

Mason Barrett
  •  
March 3
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A strip of film with reverse signs printed on it

Second Take: ‘The Winter Soldier’ tackles American democracy and security

Sebastian Strawser
  •  
Feb. 20
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Sterling K. Brown smiling at a VidCon panel

‘Paradise’ is a world stranger than reality

Blyss Cleveland
  •  
Feb. 20
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In his column “How About Now,” Mason Barrett ’28 reviews classic films through a modern lens.

‘It’s a Wonderful Life’ (1946) is an exceptional story with a complex protagonist

Mason Barrett
  •  
Feb. 17
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Boy holding camera with lady and leopard on lens

‘Bringing Up Baby’ (1938) is a rom-com gem

Mason Barrett
  •  
Feb. 11
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A movie director's sign with gender symbols on it with text "HER POV."

Her POV: ‘The Last Showgirl’ is a moving glimpse of an artist’s journey

Blyss Cleveland
  •  
Feb. 2
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characters from Smile 2, Dune 2, Didi, Anora and a monument from Civil War serve as the backdrop for "2024 movies ranked" in black text

Best of 2024 ranked: Five movies that made me feel things

Dyllan Han
  •  
Jan. 30
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A woman stands at a window with the shadow of a hand on her face and "Nosferatu" written as text.

‘Nosferatu’ (2024) marries the beautiful and the grotesque

Cate Burtner
  •  
Jan. 28
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Four figures loom over sand dunes with the text "Dune: Prophecy" written over the image.

‘Dune: Prophecy’ Season 1 is a bold, but uneven journey into the origins of the Bene Gesserit

Zora Hudson
  •  
Jan. 27
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Two hands hold open a book with the words "Rage on the Page" sprawled in it in black and red.

Rage on the Page: The howl of ‘Nightbitch’ the film barely echoes the novel

Melisa Ezgi Guleryuz
  •  
Jan. 23
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A person holding a camera with a film scene framed in the lens.

‘The Texas Chainsaw Massacre’ (1974) is a cleverly-written horror classic

Mason Barrett
  •  
Jan. 21
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A movie director's sign with gender symbols on it with text "HER POV."

Her POV: ‘Babygirl’ is all tension with no release

Blyss Cleveland
  •  
Jan. 20
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