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Screen
Arts & Life
How About Now: ‘Holiday’ (1938) is another wonderful early romcom
Mason Barrett
•
Nov. 3
Screen
Her POV: How ‘Materialists’ sells choices that are hard to buy
Blyss Cleveland
•
Oct. 30
Screen
A screening of ‘The Six’ reveals untold stories
Emerson Prentice
•
Oct. 28
Arts & Life
Students share their fall film picks
Daniel Xu
,
Emerson Prentice
,
Mei Knutson
,
Blyss Cleveland
and
Sophia Teyolia
•
Oct. 19
Screen
Chris McKenna ’92 produces new spooky Netflix show ‘Haunted Hotel’
Sterling Davies
•
Oct. 6
Screen
Love and music intertwine in student-made short film ‘Lili’
Grace Zhao
•
Sept. 24
Screen
Motherhood should not equal sacrifice: The treatment of mothers in ‘Squid Game’
Kaveri Udupa
•
Sept. 23
Screen
Overcoming the ‘one inch tall barrier of subtitles’ with Akira Kurosawa
Emmett Chung
•
June 23
Screen
Sitting with Katie Meyer’s story in ‘Save’
Dan Kubota
•
June 3
Screen
‘M*A*S*H’ (1970) is riddled with prejudice
Mason Barrett
•
June 3
Screen
‘Summer of 69’ says: Forget the guy — make a friend instead
Blyss Cleveland
•
May 27
Screen
Desi Deep Dives | Bollywood fashion from the early 2000s
Siri Atluri
•
May 18
Screen
The Stanford Scene: West Mulholland ’27 balances stardom and Stanford
Paolo Ferreira Reitz
•
May 8
Screen
Her POV: ‘Actual People’ chooses to lose post-grad blues
Blyss Cleveland
•
May 4
Screen
Her POV: ‘On Becoming a Guinea Fowl’ calls to speak ill of the living before they die
Blyss Cleveland
•
April 21
Screen
‘Seen on the Screen’ podcast proves there’s no one true path in entertainment
Grace Zhao
•
April 20
Screen
Universal Pictures starts the year in thrilling fashion with ‘Drop’
Madisyn Cunningham
•
April 13
Screen
‘For a Few Dollars More’ (1965) surpasses its predecessor
Mason Barrett
•
April 8
Screen
‘Again, Time’: Ben Russell meditates on the cinematic medium
Alexandra Blum
•
April 7
Screen
Her POV: Spotlighting landmark independent films directed by Black women
Blyss Cleveland
•
April 3
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