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Screen
Screen
‘Bringing Up Baby’ (1938) is a rom-com gem
Mason Barrett
•
Feb. 11
Screen
Her POV: ‘The Last Showgirl’ is a moving glimpse of an artist’s journey
Blyss Cleveland
•
Feb. 2, 2025
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Best of 2024 ranked: Five movies that made me feel things
Dyllan Han
•
Jan. 30, 2025
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‘Nosferatu’ (2024) marries the beautiful and the grotesque
Cate Burtner
•
Jan. 28, 2025
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‘Dune: Prophecy’ Season 1 is a bold, but uneven journey into the origins of the Bene Gesserit
Zora Hudson
•
Jan. 27, 2025
Screen
Rage on the Page: The howl of ‘Nightbitch’ the film barely echoes the novel
Melisa Ezgi Guleryuz
•
Jan. 23, 2025
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‘The Texas Chainsaw Massacre’ (1974) is a cleverly-written horror classic
Mason Barrett
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Jan. 21, 2025
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Her POV: ‘Babygirl’ is all tension with no release
Blyss Cleveland
•
Jan. 20, 2025
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‘Superman’ teaser radiates hope and justice for a brighter tomorrow
Sebastian Strawser
•
Jan. 16, 2025
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‘Wicked’: Defying expectations, from musical to movie
Charlotte Burks
•
Jan. 15, 2025
Screen
Her POV: ‘Madeline’s Madeline’ artfully breaks down the parent-child bond
Blyss Cleveland
•
Jan. 12, 2025
Screen
How About Now: ‘A Fistful of Dollars’ (1964) is convoluted yet thrilling
Mason Barrett
•
Jan. 6, 2025
Screen
‘Moana 2’ drowns in money and fails to make waves
Anthony Martinez Rosales
•
Dec. 11, 2024
Screen
Students paint a chilling narrative of EVGR in horror film
Eric Wang
•
Dec. 1, 2024
Screen
In Focus: ‘C/o Kancharpelam’ addresses the small town taboo of love
Srithanya Satish
•
Nov. 20, 2024
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Levin celebrates birthday at Presidential FLiCKS
Cate Burtner
•
Nov. 19, 2024
Screen
Hasan Minhaj is done with the cancel, but keeps riffing on the culture
Cate Burtner
•
Nov. 18, 2024
Screen
How About Now: ‘Rebel Without a Cause’ preemptively rebels against teen-comedies
Mason Barrett
•
Nov. 18, 2024
Screen
Do the most memorable cinematic characters attend Stanford or Cal?
Michaela Herbst
•
Nov. 15, 2024
Screen
‘Anora’ mostly avoids tired tropes about sex workÂ
Blyss Cleveland
•
Nov. 11, 2024
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