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Visual Arts

Arts & Life

Quarantine Gallery SU: Sharing student art during social distancing

Noah DeWald
  •  
May 19, 2020
Photos

Tracing body heat in a scorching mansion

Victoria Chiek
  •  
May 10, 2020
Arts & Life

Miao Ying’s playful take on the Chinese internet

Emily Zhang
  •  
May 7, 2020
Photos

Boredom in Quarantine

Manuel Garzaron
  •  
May 3, 2020
Arts & Life

Artist Spotlight: Yannie Tan ’23 on being an experimental musician, Youtube creator

Nadia Jo
  •  
April 27, 2020
Arts & Life

The new abnormal: ‘Untitled’ by Ruth Asawa

Jasmine Liu
  •  
April 15, 2020
Arts & Life

Museums from Home

Chasity Hale
  •  
April 13, 2020
Arts & Life

Lost colors and the fading scream

Carissa Lee
  •  
April 1, 2020
Arts & Life
Victorian Mourning Cabinet

Mesmerized by ‘The Melancholy Museum’

Dax Duong
  •  
Oct. 2, 2019
Arts & Life

Beautifying labor, celebrating craft: Vivienne Le’s ‘Five Sisters’

Khuyen Le
  •  
Sept. 26, 2019
Arts & Life

BLKNWS videos bring campus a new perspective on black representation in media

Jasmine Venet
  •  
Sept. 4, 2019
Arts & Life

Gilded Age art at Cantor provokes viewers to rethink stereotypes about the era

Vani Mohindra
  •  
Sept. 3, 2019
Arts & Life

‘Photography Teaches’ features Bay Area artists’ work in Coulter Art Gallery

Anishi Patel
  •  
Sept. 3, 2019
Arts & Life

Q&A: Brian Butler, founder of LA art gallery 1301PE

Brian Lee
  •  
Aug. 6, 2019
Arts & Life

‘Island Universe’ at Cantor models theories of our existence

Brian Lee
  •  
July 21, 2019
Culture

Stanford students make Calico Cards, unique watercolor kits for fans of crafts

Dax Duong
  •  
May 17, 2019
Culture

New Cantor exhibitions inspire thought and awe in viewers

Dax Duong
  •  
April 11, 2019

Curators Alex Fialho and Melissa Levin on rediscovering Michael Richards’ work

Amir Abou-Jaoude
  •  
Jan. 31, 2019

Open Studios highlights myriad connections between the abstract and the everyday

Angela Yang
  •  
Jan. 29, 2019

New modes of being: Reflections on Magritte and Sappho

Carly Taylor
  •  
Oct. 18, 2018
The Stanford Daily

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