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Music
Intimate and grandiose: the genius of Vangelis’ ‘Blade Runner’ soundtrack
Hamza Ali Zahurullah
  •  
Oct. 17, 2017
‘A Moment Apart’: ODESZA’s new groove
Trenton Chang
  •  
Oct. 12, 2017
Arts & Life
Jazz is hard and life is easy with Mads Tolling & The Mads Men: ‘Playing the 60s’
Olivia Popp
  •  
Oct. 11, 2017
Personal, not political apocalypse on Queens of the Stone Age’s ‘Villains’
Dylan Grosz
  •  
Oct. 5, 2017
Following David Bowie’s legendary legacy of consistent change
Nick Burns
  •  
Oct. 3, 2017
‘Bodak Yellow’: 2017’s most unlikely pop hit
Jacob Kuppermann
  •  
Sept. 29, 2017
Two points of view on Arcade Fire’s ‘Everything Now’
Jacob Kuppermann
  •  
Aug. 25, 2017
Lorde’s ‘Melodrama’ is the most interesting album of the summer
Jacob Kuppermann
  •  
Aug. 15, 2017
Rio, Bravo! Anat Cohen & Choro Aventuroso at Stanford Jazz
Michelle Wong
  •  
July 28, 2017
Reflections on funk and punk
Dylan Grosz
  •  
June 8, 2017
Revisiting Joey Bada$$’s ‘All Amerikkkan Bada$$’
Esther Tsvayg
  •  
June 7, 2017
‘Sgt. Pepper’s Lonely Hearts Club Band’: Reflections on a Beatles opus, 50 years on
Carlos Valladares
  •  
June 6, 2017
An American bard in Britain: Bob Dylan in concert
Nick Burns
  •  
June 3, 2017
The Mountain Goats’ ‘Goths’ ditches the guitar and finds light in dark places
Nick Burns
  •  
June 1, 2017
Q&A: Daveed Diggs muses on fame, the accessibility of theater
Olivia Popp
and
Carlos Valladares
  •  
May 26, 2017
Zedd dazzles Stanford at Frost
Trenton Chang
  •  
May 24, 2017
Who said classical music was boring? Pt. 2
Maimi Higuchi
  •  
May 23, 2017
Perfume Genius’s ‘No Shape’ is the sound of hard-fought serenity
Jacob Nierenberg
  •  
May 21, 2017
Caleb Nott of Broods on movements that make you move
Trenton Chang
  •  
May 19, 2017
Mac DeMarco does dad rock his way on ‘This Old Dog’
Jacob Nierenberg
  •  
May 17, 2017
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