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art
Bouabre’s Alphabete: ‘The World Through The Eyes’ at the Cantor Arts Center
Yusra Arub
•
July 16, 2018
Xiaoze Xie presents his Dunhuang artwork
Jessica Zhang
•
July 6, 2018
Q&A: Robbie Barrat on training neural networks to create art
Joe Dworetzky
•
June 12, 2018
‘Gruesome Playground Injuries’ is a grossly entertaining production
Alli Cruz
•
May 15, 2018
Q&A: Philosophy professor Ray Briggs on politics’ role in modern poetry
Michal Leibowitz
•
May 14, 2018
The pressure to create the next “big thing”
Natachi Onwuamaegbu
•
April 13, 2018
Food and memory with Veronica Chambers
Claire Thompson
•
March 21, 2018
Who’s crazy?: ‘Next to Normal’ is devastating and uplifting at once
Minh-Anh Day
•
March 8, 2018
Ways of seeing
Gülin Ustabas
•
March 7, 2018
Imperfect reflection in Modigliani
Sasha Landauer
•
March 6, 2018
Art ++: Faulkner and the Stanfords
Reilly Clark
•
March 6, 2018
Oops: This will never do
Josh Wagner
•
Feb. 23, 2018
Art++: Mary’s Place
Ali Vaughan
•
Feb. 14, 2018
Nuestras murales: Comunidad and the value of dialogue
Miguel Samano
•
Jan. 29, 2018
Sad sells
Serena Zhang
•
Nov. 3, 2017
United Nations Association Film Festival: A look at ‘Guangzhou Dream Factory’
Cathy Wang
•
Oct. 30, 2017
Christ or Chaos: Walker Evans in the San Francisco Museum of Modern Art
Mac Taylor
•
Oct. 29, 2017
The perils of not being creative
Natachi Onwuamaegbu
•
Oct. 19, 2017
Under smoky skies, community members share ‘Rooted Words’ on the Farm
Claire Thompson
•
Oct. 18, 2017
‘The Centennial Exhibition’: Reveling in Pedro de Lemos’ history and simplicity
Julia Gordon
•
Oct. 18, 2017
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