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Screen
Daniel Rashes '26 discusses 'F1' with director Joseph Kosinski '96 after the FLiCKS screening ends.

Director Joseph Kosinski ’96 recounts path to cinema at ‘F1’ FLiCKS screening

Dan Kubota
  •  
Feb. 24
Screen
A movie director's sign with gender symbols on it with text "HER POV."

Her POV: ‘Hamnet’ treats grief as a catalyst to reimagine the world

Blyss Cleveland
  •  
Feb. 3
Screen
A red "Stranger Things" banner with a "5" behind it among a black background.

‘Stranger Things’ lack of closure leads fans to reinvent its ending

Melita D’Souza
  •  
Jan. 25
Screen
A photo of actor Timothée Chalamet.

‘Marty Supreme’: When the character jumps out of the screen

Levi Lebovitz
  •  
Jan. 18
The Grind
The Stanford Theatre, built in the 1920s, frequently holds screenings of classic films. (Photo: LARA SEYAHI/The Stanford Daily)

Looking at love across ‘Brief Encounter,’ ‘Strangers When We Meet’ and ‘Falling in Love’

Lara Seyahi
  •  
Jan. 12
Screen
A movie director's sign with gender symbols on it with text "HER POV."

Her POV: ‘Sorry, Baby’ hits hard, apologizes for nothing 

Blyss Cleveland
  •  
Jan. 5
Arts & Life
An auditorium filled with audience members for a screening of "Austin Powers." Director Jay Roach '79 and Q&A moderator Daniel Rashes ’26 sit onstage.

FLiCKS gets groovy with ‘Austin Powers’

Patricia Tran
  •  
Nov. 5
Arts & Life
A black-and-white production still from "Holiday" (1938), featuring Katharine Hepburn and Cary Grant.

How About Now: ‘Holiday’ (1938) is another wonderful early romcom

Mason Barrett
  •  
Nov. 3
Campus Life
A FLiCKS screening of "Pitch Perfect" in CEMEX Auditorium in 2024. (Graphic: ANTHONY MARTINEZ ROSALES/ The Stanford Daily)

FLiCKS to return with ‘all-out’ screening after attendance lull

Patricia Tran
  •  
Oct. 27
Arts & Life
Three jack-o-lanterns.

Students share their fall film picks

Daniel Xu, Emerson Prentice, Mei Knutson, Blyss Cleveland and Sophia Teyolia
  •  
Oct. 19
Screen
A animated haunted hotel sits against a night backdrop, lit from the inside.

Chris McKenna ’92 produces new spooky Netflix show ‘Haunted Hotel’

Sterling Davies
  •  
Oct. 6
Screen
(Graphic: MAI TSAI KNUTSON/The Stanford Daily)

Overcoming the ‘one inch tall barrier of subtitles’ with Akira Kurosawa

Emmett Chung
  •  
June 23
Magazine
The Brazilian community commemorated the victory of the film “I’m Still Here” at the 97th Academy Awards. (Graphic: CHINYOUNG SHAO/The Stanford Daily)

More than an award: Brazilian students celebrate the country’s first Oscars

Julie Abreu
  •  
June 6
Culture
Students enjoy the sunset at Lake Lagunita. (Photo: AVNI VATS/The Stanford Daily)

What does mental health mean to The Daily?

Allie Skalnik, Chloe Shannon Wong, Madisyn Cunningham, Grace Zhao and Blyss Cleveland
  •  
May 22
Film
To commemorate Mother's Day, The Daily recounts their favorite depictions of motherhood on the screen, in all of its many forms. (Courtesy of Wikimedia Commons)

Our favorite depictions of motherhood on screen

Charlotte Burks, Ellaheh Gohari, Grace Zhao, Kelly Wang, Yinlin Zhao and Blyss Cleveland
  •  
May 14
Reads
A woman standing on the street stares at the camera

‘My Life At the Movies’: Rachel Kushner explores cultural authority and the influence of film 

Zora Hudson
  •  
May 11
Screen
A mirror reflects a standing camera.

The Stanford Scene: West Mulholland ’27 balances stardom and Stanford

Paolo Ferreira Reitz
  •  
May 8
Screen
A boy is holding a camera with an image of a gunslinger in the lens.

‘For a Few Dollars More’ (1965) surpasses its predecessor

Mason Barrett
  •  
April 8
Culture
Graphic for Ellaheh Gohari's '28 column on tropes in film and media.

Trope-tastic: What can we do about Mary Sue?

Ellaheh Gohari
  •  
March 10, 2025
Screen
Man smiling with pink triangles behind him.

Second Take: ‘Milk’ highlights gay hope and humanity

Sebastian Strawser
  •  
March 6, 2025
The Stanford Daily

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