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music
Arts & Life
RL Grime takes over Frost
Cayden Gu
•
Nov. 6, 2023
Music
Beandon’s Musical Corner: ‘Wallsocket’ by underscores
Brandon Rupp
•
Nov. 1, 2023
Music
Emotional shipwreck in San Francisco harbor: SZA ‘saves our souls’ at tour performance
Rhea Jain
•
Oct. 29, 2023
Music
Press Play: What do Stanford students and DJs prefer in party music?
Erin Ye
•
Oct. 24, 2023
Music
The Sound of Cinema: ‘Babylon’ (2022) is a captivating musical circus
Anthony Martinez Rosales
•
Oct. 17, 2023
Music
Press Play: Chris Piech debugs his CS109 playlists
Erin Ye
•
Oct. 13, 2023
Arts & Life
Live, laugh, Laufey at the sold-out ‘Bewitched Tour’
Ananya Navale
•
Oct. 10, 2023
Music
TwoSet Violin in SF: Why is the duo not funny offscreen?
Linda Liu
•
Oct. 9, 2023
Music
Taylor Swift’s ‘From the Vault’ tracks, ranked
Piscis Martinez
•
Oct. 1, 2023
Arts & Life
The Good Person Tour: Ingrid Andress at the Great American Music Hall
Ananya Navale
•
Sept. 10, 2023
Music
Music that makes you feel: Every stage of a breakup
Sam Waddoups
•
June 8, 2023
Magazine
Beyond STEM: The future of arts education and opportunities at Stanford
Sebastian Hochman
•
May 28, 2023
The Grind
‘Between the Black and White’: G minor
Rosina Lin
•
May 23, 2023
Music
New Music with Nick: ‘Jackman.’ by Jack Harlow
Nick Sligh
•
May 10, 2023
The Grind
‘Between the Black and White’: F major
Rosina Lin
•
April 24, 2023
Culture
Ethio-American singer Meklit redefines home through storytelling and music
Grace Zhou
•
April 16, 2023
Music
Ballet, quintets and Rufus: Stanford woos after a decade of Bing
Brandon Rupp
•
April 3, 2023
Music
Music that makes you feel: The vulnerable power of a whisper
Sam Waddoups
•
March 14, 2023
The Grind
‘Between the Black and White’: F minor
Rosina Lin
•
March 12, 2023
Music
Y2K Hits: ‘Good Girl Gone Bad’ by Rihanna
Kaushik Sampath
•
Feb. 28, 2023
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