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musical
‘La Llorona: A New Horror Musical’ is a tale for moving on
Christine Delianne
•
March 17, 2021
The Grind
On history, humor and ‘Hamilton’
Sarayu Pai
•
Feb. 5, 2020
Arts & Life
Gaieties takes a step forward in its 2019 rendition
Khuyen Le
•
Nov. 19, 2019
Culture
A trip down ‘Mark Twain’s River of Song’
Anupriya Dwivedi
•
Oct. 18, 2019
The Grind
Cinderella in San Jose
Sarayu Pai
•
April 9, 2019
The Grind
Hot Takes: The ‘Lion King’ sequel has better music than the original
Kiara Harding
•
March 19, 2019
Performed live, Tony Award-winning musical ‘Dear Evan Hansen’ is a complete artistic disappointment
Olivia Popp
•
Jan. 25, 2019
Classy Classes: MUSIC 25 offers new approaches to anime
Emily Wan
•
Oct. 30, 2018
National tour of ‘Waitress’ cooks up a new Broadway classic
Olivia Popp
•
Oct. 19, 2018
‘Mutt House’ needs to be immediately placed into a doggy bag and dumped into a trash compactor
Olivia Popp
•
July 27, 2018
‘Mamma Mia 2!’ is a sparkly, escapist sensation for the summer
Valerie Wu
•
July 26, 2018
‘Soft Power’ is a bold challenge to a genre riddled with convention
Starr Jiang
•
June 28, 2018
Classy Classes: Students go ham for ‘Hamilton’ in AFRICAAM 5I
Tyler Johnson
•
May 8, 2018
Ram’s Head’s ‘Chicago’ is bright, bold and ambitious
Chasity Hale
•
April 17, 2018
Who’s crazy?: ‘Next to Normal’ is devastating and uplifting at once
Minh-Anh Day
•
March 8, 2018
Celebrating Jewish determination: A second take on TheatreWorks’ ‘The Prince of Egypt’
Julia Gordon
•
Nov. 8, 2017
Pop thrills: Edgar Wright’s ‘Baby Driver’ is a smart, sexy musical for the age of Spotify
Carlos Valladares
•
June 28, 2017
Getting raw and real with the season two finale of ‘Crazy Ex-Girlfriend’
Olivia Popp
•
May 15, 2017
42nd Street Moon’s ‘New Girl in Town’ reinvigorates an old musical with a fresh take
Olivia Popp
•
April 11, 2017
‘Silence! The Musical’ brings raucous fun to San Francisco
Olivia Popp
•
April 11, 2017
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