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performing arts
Campus Life
Down to Clown?: In TAPS 127W, failure is the assignment
Lauren Boles
•
June 4
The Grind
Performing for myself
Alaina Zhang
•
May 20
Culture
‘All My Sons’ at Berkeley Repertory Theatre is brutal and brilliant
Kyle Gerstel
•
March 15
Theater
‘The Arsonists’ delivers a flaming critique of citizens who passively enable evilÂ
Dan Kubota
•
March 4
Campus Life
Is passion enough? Students reel after national cuts to performing arts funding
Allie Skalnik
•
July 10
Culture
‘The Wolves’ lets each character score their own goal
Hailey Ramzan
•
March 15, 2024
Culture
‘Yakuman Chance’: Girl talk at its finest
Dan Kubota
•
March 14, 2024
Culture
A spoonful of magic: Stanford Light Opera revives ‘Mary Poppins’
Charlotte Kearns
•
Feb. 26, 2024
Culture
‘A Garden After Dark’ creates space for hidden heroes
Dakota Gelman
•
Feb. 22, 2024
Culture
‘Let my word take action’: Transformative feminist narratives at TAPS
Charlotte Kearns
•
Feb. 13, 2024
Arts & Life
French-fry cannibals, anti-feline legislation and pizza supremacy: Flying Treehouse brings child-like joy to Kimball Hall
Chloe Mendoza
•
Nov. 19, 2021
Arts & Life
Amid COVID-19, performing arts clubs plan for an uncertain future
Mira Ravi
•
Aug. 18, 2020
Arts & Life
Voices of Canceled Stanford Shows: 6 a cappella groups chime in during virtual spring quarter
Nadia Jo
•
May 26, 2020
Arts & Life
TheatreWorks’ ‘The Pianist of Willesden Lane’: A one-woman musical celebration of humanity
Anupriya Dwivedi
•
Jan. 23, 2020
Arts & Life
Mona Golabek and ‘The Pianist of Willesden Lane’
Anupriya Dwivedi
•
Jan. 14, 2020
Wilbur RFs launch concert receptions
Alex Zivkovic
•
Nov. 12, 2013
Opinions
The Campus Beat: Bachelor of Music
Lucas Will Johnson
•
Oct. 28, 2010
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