Wednesday, January 15th, 2025
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Pusha T

Music
Six album covers in a grid on a dark purple background. From left to right on top row: Westside Gunn's "10," Denzel Curry's "Melt My Eyez See Your Future" and Joey Bada$$' "2000." From left to right on bottom row: Nas' "King's Disease III," Boldy James' and Nicholas Craven's "Fair Exchange No Robbery" and Black Thought's and Danger Mouse's "Cheat Codes."

The top 25 hip-hop albums of 2022

Nick Sligh
  •  
Dec. 29, 2022
Arts & Life
Says "Staff Playlist" next to a red Spotify logo over the words "The Stanford Daily"

The Daily takes the aux: May music staff picks

Vanessa Chen, Richard Coca, Kyla Figueroa, Chloe Anne Walsh, Zach Zafran, Brandon Rupp, Nick Sligh, Michelle Fu, Kristofer Nino, Andrew Gerges, Vivian Wang, Malia Mendez, Kirsten Mettler and Aditeya Shukla
  •  
May 31, 2022
Arts & Life
The Underachievers round out this week's rankings of the top 100 hip-hop/rap albums of the 2010s. (Graphic: HELEN HE/The Stanford Daily)

Top 100 hip-hop/rap albums of the 2010s: #60-51

Nick Sligh
  •  
Feb. 12, 2020
Arts & Life
With genre-bending releases and a colorful personality, Tyler The Creator (pictured) helped to push the evolution of hip-hop throughout the decade. Tyler's 2019 release "IGOR" kicks off the top 100 countdown. (Graphic: MEGAN KING/The Stanford Daily)

Top 100 hip-hop/rap albums of the 2010s: #80-71

Nick Sligh
  •  
Jan. 29, 2020
Arts & Life
Dreamville founder and 2010s breakout hip-hop sensation J Cole (pictured) rounds out the next section of the top 100 albums countdown. (Graphic: DANIEL WU/The Stanford Daily)

Top 100 hip-hop/rap albums of the 2010s: #90-81

Nick Sligh
  •  
Jan. 22, 2020
Fans of house, trap, EDM and hip-hop flocked to the Treasure Island Music Festival (courtesy of Josh Withers).

Treasure Island Music Festival features a variety of awesome acts

Dylan Grosz
  •  
Nov. 9, 2018
Drake's summer was suffused with controversy (courtesy of Anton Mak and Wikimedia Commons).

Drake combines success with social media spectacle

Jacob Kuppermann
  •  
Oct. 22, 2018
The Stanford Daily

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