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sculpture
Culture
Goodbye, ‘Hello,’ welcome, ‘Amulets’: Meet Meyer Green’s newest sculpture
Sara Alanis Morales
•
Oct. 14
Culture
Cardinal Canvas: Untangling Ruth Asawa’s web
Adam Golomb
•
March 7, 2024
Culture
Cardinal Canvas: First-year MFA showcase celebrates community ‘&’ identity
Adam Golomb
•
Feb. 29, 2024
Culture
‘Now is the Moment’: Enrique Martínez Celaya urges students to create
Maria Chica
•
Feb. 5, 2024
Culture
Stanford vs. Berkeley: Which campus has better public art?
Choesang Scholer
•
Nov. 16, 2023
The Grind
The angel weeps
Lisa Childs
•
Feb. 14, 2023
Arts & Life
Why does Stanford have so many Rodins?
Christina Shen
•
Oct. 16, 2022
Arts & Life
“Churro” or political commentary: the truth behind Meyer Green’s new sculpture
Betty He
,
Bhumikorn Kongtaveelert
,
Nikolas Liepins
and
Peyton Lee
•
Feb. 10, 2022
Arts & Life
Clayman Institute spotlights Terry Berlier’s wordlessly eloquent conceptual sculpture
Sofia Gonzalez-Rodriguez
•
Feb. 9, 2022
Humor
Campus awaits appearance of heir of Slytherin to activate Meyer Green sculpture
Uche Ochuba
•
Feb. 7, 2022
Arts & Life
‘Reaching Towards Warmer Suns’: A Q&A with artist Kiyan Williams ’13
Nascha Martinez
•
Aug. 17, 2021
News
Sculptors find silver linings in online learning
Yong-Yu Huang
•
Jan. 12, 2021
Arts & Life
Stephanie Shih’s food ceramics and Asian American nostalgia
Emily Zhang
•
May 22, 2020
Arts & Life
The new abnormal: ‘Untitled’ by Ruth Asawa
Jasmine Liu
•
April 15, 2020
Arts & Life
Diverse, inclusive, modern: Say ‘YO’ to the new Cantor
Carissa Lee
•
Jan. 21, 2020
Arts & Life
Beautifying labor, celebrating craft: Vivienne Le’s ‘Five Sisters’
Khuyen Le
•
Sept. 26, 2019
Arts & Life
‘Island Universe’ at Cantor models theories of our existence
Brian Lee
•
July 21, 2019
Review: Anderson Collection screens ‘Eva Hesse’
Amy Lin
•
Aug. 5, 2018
Together and apart: Fragmentation and completion in Auguste Rodin
Emma Heath
•
April 25, 2018
Looking for space: children of the American West
Mac Taylor
•
April 23, 2018
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