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jazz
Magazine
The Six of Spades are all in
Greta Reich
•
June 25
Music
Kapilow and Schumann jazz up ‘Rhapsody in Blue’
Erin Ye
•
April 29
Music
Rhythmic revolutions: Exploring ‘New Standards’ with Terri Lyne Carrington
Joanne dePierre
•
Jan. 29
Music
Joey Alexander reinvents rhapsody in jazz
Olena Bogdan
•
Jan. 22
Arts & Life
Live, laugh, Laufey at the sold-out ‘Bewitched Tour’
Ananya Navale
•
Oct. 10, 2023
Culture
A night of laughter and music with Isaac Mizrahi
Grace Zhou
•
March 13, 2023
Music
University receives vast Black music collection — what does this mean for Stanford?
Andrew Zhang
•
March 5, 2023
Music
Open mic nights at CoHo build a ‘community of musicians’
Elisabeth Westermann
•
Feb. 27, 2023
Music
Theatrical jazz savant plays Bing: Cecile McLorin Salvant’s spectacle
Kyla Figueroa
•
Jan. 30, 2023
Arts & Life
The brilliance of Jacob Collier’s ‘The Christmas Song’ arrangement
Peyton Lee
•
Nov. 29, 2020
Arts & Life
Artist Spotlight: Reid Devereaux ’25 on producing during gap year
Peyton Lee
•
Oct. 26, 2020
Arts & Life
Roger O’Donnell’s album ‘2 Ravens’ is perfect for quiet reflection
Yawen Xue
•
Sept. 3, 2020
‘If Beale Street Could Talk’ brings Baldwin’s story to the screen
Amir Abou-Jaoude
•
Feb. 11, 2019
The Grind
Free summer adventures in and around Stanford
Sophie Kroesche
•
July 12, 2018
The Stanford Jazz Workshop Launches its 47th Annual Jazz Festival
Jonathan Liu
•
July 4, 2018
Arts & Life
Jazz is hard and life is easy with Mads Tolling & The Mads Men: ‘Playing the 60s’
Olivia Popp
•
Oct. 11, 2017
An American bard in Britain: Bob Dylan in concert
Nick Burns
•
June 3, 2017
Cold jazz: Stuart Davis is ‘In Full Swing’ at the de Young
Carlos Valladares
•
April 26, 2017
Interview: Moon Hooch Makes “Energy Music”
Dylan Grosz
•
Feb. 16, 2017
Southeast of Eden: An Angeleno’s take on Damien Chazelle’s ‘La La Land’
Carlos Valladares
•
Dec. 18, 2016
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