Tuesday, November 5th, 2024

Critic’s Pick

Composers capture the spirit of ‘Gaieties 2018’

Natalie Francis

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Nov. 14, 2018

In ‘Westfront 1918,’ Pabst evokes the traumas of World War I

Amir Abou-Jaoude

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Nov. 12, 2018

‘Crazy Rich Asians’ screenwriter, VR leaders unite at second annual Confluence Summit

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Nov. 9, 2018

Treasure Island Music Festival features a variety of awesome acts

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Nov. 9, 2018

“The Kindergarten Teacher” challenges audiences

Juan Fueyo-Gomez

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Nov. 7, 2018

Noname finds identity on sophomore album ‘Room 25’

Caroline Hallee

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Nov. 5, 2018

‘The War at Home’ connects present with past

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Nov. 2, 2018

Dream deferred? TAPS + BLACKstage’s “A Raisin in the Sun” is a dream fulfilled

Chloe Wintersteen

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Nov. 1, 2018

Culture and the occult: Eerie reads for Halloweek

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Nov. 1, 2018

Bewitching Halloween reads

Arts & Life Reads beat writers, Sofia Schlozman, Olivia Manes, Carly Taylor, Scott Stevens, Mark York and Shana E. Hadi

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Oct. 31, 2018

‘Maniac’ considers the mysteries of the mind

Emilia Diaz-Magaloni

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Oct. 31, 2018

TheatreWorks’ ‘Fun Home’ imperfectly balances past and present

Chloe Wintersteen

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Oct. 30, 2018

Andy Warhol in our minds and in photographic film

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Oct. 29, 2018

Young Thug’s ‘On the Rvn’ is tremendous trap music

Christina Macintosh

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Oct. 29, 2018

‘You Mean to Do Me Harm’ challenges bias and perception at SF Playhouse

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Oct. 29, 2018

Timothy Ferris and Frank Drake discuss their dispatch to deep space

Amir Abou-Jaoude

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Oct. 26, 2018

Is ‘Garden Fresh’ the new vegan favorite in town?

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Oct. 26, 2018

Puccini’s ‘Tosca’ is melodramatic and moving

Amir Abou-Jaoude

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Oct. 25, 2018

‘Romeo and Juliet’ Is NOT a Love Story: CHANGE MY MIND!

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Oct. 25, 2018

“Studio 54” is a study of an (in)famous 70s nightclub

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Oct. 24, 2018