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Reads
The ugly and the glorified: Fitzgerald in retrospect
Claire Francis
•
Feb. 6, 2018
Falling into an obsessive love with George Eliot
Scott Stevens
•
Feb. 1, 2018
Great writers, bad readers
Emma Heath
•
Jan. 31, 2018
Clickbait Philosophy: Navigating the path to free speech
Cameron Hubbard
•
Jan. 30, 2018
Language and identity in the Holy Land
Anat Peled
•
Jan. 29, 2018
Marked bodies and the popularity of literary tattoos
Gracie Newman
•
Jan. 23, 2018
Stanford Review 2.0 and ahistoricity
Ben Maldonado
•
Jan. 22, 2018
The joy of committing (to memory)
Scott Stevens
•
Jan. 17, 2018
Exploring beginnings in Mary Ruefle’s ‘Madness, Rack, and Honey’
Maddie Kim
•
Jan. 16, 2018
‘The Magicians’ fails to make its magic
Claire Francis
•
Jan. 16, 2018
Dirty realism: Authenticity in the 20th century
Gracie Newman
•
Jan. 7, 2018
Sexuality and stanzaic construction in ‘Warming Her Pearls’ and ‘Martha Pt. 2’
Claire Francis
•
Dec. 9, 2017
Rupi Kaur’s literature: Is it poetry?
Sun Paik
•
Dec. 9, 2017
Absurdist fiction reads to catch this weekend
Arts & Life Reads beat writers
•
Nov. 30, 2017
Revaluing the ‘Death of Ivan Ilyich’
Shana E. Hadi
•
Nov. 28, 2017
Six books you’ve read before, but not like this
Claire Francis
•
Nov. 27, 2017
Between desire and liberation
Maddie Kim
•
Nov. 26, 2017
The promise of ‘Bliss’
Emma Heath
•
Nov. 16, 2017
Sick late-century dream: Fiction, ’90s rock and the end of American innocence
Nick Burns
•
Nov. 16, 2017
Failures in Ottessa Moshfegh’s ‘Eileen’
Anna-Sofia Lesiv
•
Nov. 15, 2017
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