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Screen
Screen
A Lover Girl’s Guide: When opposites meet
Hana Dao
•
Feb. 13, 2024
Screen
Lights, Cardinals, Action: Lionsgate VP Charlotte Koh ’95 on overcoming fear
Grace Zhou
•
Feb. 12, 2024
Screen
Talk Horror to Me: Documenting trauma in ‘Nope’ (2022)
Emma Kexin Wang
•
Feb. 12, 2024
Screen
A Lover Girl’s Guide: Historically Speaking
Hana Dao
•
Feb. 5, 2024
Screen
Why does Stanford restrict entertainment filming on campus?
Sarayu Pai
•
Feb. 2, 2024
Screen
The new ‘Mean Girls’ falls flat, but not without something ‘fetch’ for Gen Z
Katie Mannion
and
Annie Virsik
•
Jan. 31, 2024
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Sean Penn reveals Ukraine’s ‘Superpower’ and calls for military aid
Rani Chor
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Jan. 24, 2024
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The Sound of Cinema: Song drives character growth in ‘The Color Purple’ (2023)
Anthony Martinez Rosales
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Jan. 17, 2024
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Beyond romance: Dissecting ‘Saltburn’ and ‘Anyone but You’
Charlotte Kearns
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Jan. 10, 2024
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‘Good’ girlhood: Muslimahs usher a Riot Grrrl renaissance in ‘We Are Lady Parts’
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Lights, Cardinals, Action: How Jeff Small ’95 climbed to the top of Steven Spielberg’s Amblin Partners
Grace Zhou
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Jan. 9, 2024
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Remembering Andre Braugher ’84: A magnificent man and his magnificent work
Cameron Duran
•
Dec. 23, 2023
Screen
Screen Staff Selects: Favorite film worlds
Cate Burtner
,
Blyss Cleveland
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Emma Kexin Wang
,
Olena Bogdan
,
Anthony Martinez Rosales
,
Elena Vasilache
and
Lauren Boles
•
Dec. 7, 2023
Screen
Birds and bewilderment: Ghibli’s ‘The Boy and the Heron’ delights the eye and the imagination
Michelle Fu
•
Dec. 6, 2023
Screen
Inside the cradle of Stanford’s Documentary Film and Video MFA
Olena Bogdan
•
Dec. 5, 2023
Screen
Five Studio Ghibli films to watch in anticipation of ‘The Boy and the Heron’
Michelle Fu
•
Dec. 1, 2023
Screen
‘Trolls Band Together’ brings out the inner child
Anthony Martinez Rosales
•
Nov. 28, 2023
Screen
Why does everyone already hate Disney’s ‘Wish’?
Katie Mannion
•
Nov. 20, 2023
Screen
Screen scrimmage: Famous scenes shot at Stanford and Berkeley
Sarayu Pai
•
Nov. 16, 2023
Screen
Talk Horror to Me: Familial issues and disorienting narratives in ‘Beau Is Afraid’
Emma Kexin Wang
•
Nov. 13, 2023
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